An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

One of the first Iranian intellectual movies that narrates the story of a cab driver who struggle with his girlfriend over the destiny of a baby who is left in his taxi.His girlfriend insist that they must keep the baby and the man want to take him to police station or nursery. In this sequence (that's my favourtie and is so brilliant)the girl comes back to nursery to take back the baby.

对于很多了解伊斯兰革命之前的伊朗新浪潮电影的人来说，Arby Ovanessian也是一个陌生的名字。其实他是一位很著名的剧场导演，一直致力于伊朗现代戏剧的发展，这部70年的《春天》是他仅有的一部电影作品，曾在当年德黑兰国际电影节上深受好评，被认为是伊朗电影诗人派（以Sohrab Shahid Saless和Nosratallah Karimi为代表）的杰作，“一部以长镜头为主，对白很少，只需用眼睛和心灵去感觉的电影。“。Arby Ovanessian是亚美尼亚裔的伊朗人，79年伊斯兰革命之后流亡法国至今，此片也被禁止在伊朗国内放映。值得一提还有本片摄影Houshang Baharlou正是Dariush Mehrjui的《邮差》、Nosratallah Karimi的《车夫》、Sohrab Shahid Saless的《静濭的生活》等名片的摄影师。