A drama about several teenage girls from different backgrounds who are drawn to prostitution and enter a world of violence and abuse that is almost impossible to leave behind.

During the winter of 1944, the partisans stationed in the Ligurian Apennines must go to a factory in Genoa, in order to pick up a delivery of weapons. Meanwhile, there's a strike in the city and the Nazis are trying to suppress it violently. The factory becomes the scene of fighting between the Germans and the partisans but the latter, aided by the workers, will be able to get the better.

In 1945, the dictator of fascist Italy and Hitler's close ally Benito Mussolini faces defeat. In a desperate attempt to avoid capture, he tries to flee the country with his lover Claretta Petacci, but Italian partisans are on their tail.

Luciano Bianchi lives with his wife and son in the small town of Guastalla. As an intellectual and bibliophile, he works as head of cultural initiatives at a mining plant.

Sicily, 1865. Two peasants, Gramigna and his father are tricked by Baron Nardò and robbed of their field, which then the baron lets to Assunta, her daughter Gemma and her fiancé Ramarro. Determined to take revenge, Gramigna begins to hunt down Nardò's complicit mediators. Unbeknownst to Gramigna, Gemma, to escape her arranged marriage, goes after him. Love and violence will follow all till their desperate ends.

Florence, Italy, 1925, during the fascist dictatorship. In order to live near his girlfriend Bianca, young Mario moves to a humble street in the old city center, where he befriends Maciste and Ugo, two anti-fascists.

A detective is assigned to head a manhunt for four violent bank robbers.

《梅娜旅馆》讲述二战时，意大利与瑞士边境上犹太人聚居的宾馆梅娜遭德军控制，在德国人梅娜小姐的帮助下，部分犹太人偷渡瑞士。
梅娜小姐一直被占据梅娜旅馆的德军小头目垂涎。
梅娜小姐在德军将撤离前夕，色诱军官，后将其囚禁。让他体味他曾让犹太人所遭遇过的自由受束、对死亡恐惧等痛苦。但她没有像其他影片一样，化身为正义与和平的代言人借机制裁他，而是抛开枪独自跑掉。
已逃离至瑞士的犹太小姑娘享受潜水的快乐。在宁静的水里，她看到她的那些同胞以及她爱过的男孩。他们漂在她周边，都已负伤，血丝纠缠，手都被紧绑，背着石头。她在惊恐里浮出水面，悲伤以及对被囚禁日子的恐惧重新蚕食她的心，恍惚中她看到爱人的笑脸，他健康的身体半裸在水面，她的悲伤加剧但渐趋平静。

Francesco Dominici, tornato dalla guerra, cerca invano lavoro. Una notte, aiutato dalla sua innamorata, Lucia e dalla sorella, Maria Grazia, ruba delle pecore ad Agostino Bonfiglio, un pastore arricchitosi in malo modo durante la guerra, che si dice abbia rubato, a suo tempo, le pecore di Francesca. Francesco viene denunciato ed arrestato. I testimoni, chiamati in causa, vengono sopraffatti o comprati da Agostino e Francesco viene condannato a quattro anni. Agostino vorrebbe sposare Lucia, ma il matrimonio va a monte per l'intromissione di Maria Grazia, alla quale Agostino ha usato violenza. Francesco evade dalla prigione con un compagno. Inseguito dai carabinieri, viene salvato da Lucia, della quale diviene l'amante. Mentre i carabinieri danno la caccia a Francesco, questi va in traccia d'Agostino, che temendone la vendetta ha cercato di farlo assassinare. Agostino fugge, trascinandosi dietro Maria Grazia e le pecore. Maria Grazia viene brutalmente strangolata da Agostino, che accecato dalla paura, precipita in un burrone. Francesco si consegna ai carabinieri, fidando nella revisione del processo e nell'assoluzione.

A group of neo-nazi youngsters, usual customers of a bar in the famous Milan public square, lives through one day of madness passing between assaults, rapes and homicides. Thanks to the testimony of one of the victims the four criminals will be assured to the Police justice.

罗伯托·罗西里尼，意大利导演。父亲和祖父都是著名的建筑家。高中毕业时，他突然对电影感兴趣，于是放弃升大学，进入电影界。1934年写了一篇灵感来自德彪西音乐《牧神午后》的电影故事，然后把它拍成电影。1945年的《罗马不设防》成为新写实主义的第一炮。1948年的《德意志零年》也是一部重要的新现实主义杰作。1959年的《罗维雷将军》获得威尼斯电影节金狮奖。曾与英格丽·褒曼有过一段婚姻（1950－1958），褒曼为他放弃了好莱坞的事业。60年代后期开始侧重电视工作，为电视台拍摄了不少历史人物的传记片。

Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

◎ 简　　介：
看点: 拍摄于越战期间，通过5段不同的故事表达出五位导演对当时政局的看法
第一部分的主题是冷漠，楼下一桩抢劫杀人的案正在进行，楼上所有人都熟视无睹。街边发生一起交通事故，没有任何车停下来救人。直到在警察的帮助下一位司机出现，他理所当然地拒绝，但是迫于无奈只好就范，却于中途逃走，故事原来是这样的。
第二部分是一段行为艺术表演。临死的人进行死前最后的忏悔，很有意思，比现在的好多所谓行为艺术好看多了。
第三部分是帕索里尼的贡献：他的最爱演员Ninetto Davoli漫步在大街上，手握着一大扎纸花去见情人。一路走来充满阳光，这个世界的另一些地方却是另一中摸样。
第四部分是戈达尔的“爱”。有两种含义：政治层面的故事聚焦在古巴，有点自我批评的感觉。
第五部分，大学教室里正在上课，一群自称学生会的人闯了进来，声称要改革对文化的压迫，于是辩论展开。
◎ 关于影片：
意大利/法国1969年五位大师(贝尔托鲁奇、帕索里尼、戈达尔、贝洛奇奥、卡罗里扎尼)联手合导的经典名作，荣获1969年柏林影展提名金熊奖。
导演们的信条，拒绝把电影当作是故事；至少在此说：并不是因为你看多了电影就懂得了“电影”；第七艺术就好比在欧几里德之前的数学；而且导演并没有表示说“新浪潮”就是欧几里德。

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.