A girl is in love with a gas station attendant and sees him against her father's wishes. The father is the sheriff and shortly after a confrontation with the boy friend, he is killed by escaped convicts and the daughter is kidnapped. Everyone, including the deputy, is convinced that the boy friend committed the murder and ran away with the girl. This sets up a chase of the convicts by the boy friend and of the boy friend by the police.

A color-blind psychiatrist is stalked by an unknown killer after taking over his murdered friend's therapy group and becomes embroiled in an intense affair with a mysterious woman who may be connected to the crime.

One of the longest handheld tracking shots in film history, It’s Real documents an hour in the street life of downtown Manhattan. Not only is it a unique record of a particular time and place—July 26, 1990, from 3:45 to 4:45 p.m. in the Lower East Side near Robert Frank’s studio (we note in a Daily News headline that after some 20 years the Zodiac killer still hasn’t been identified)—it’s also an experiment in fragmentary language, gesture, and life caught unawares. Snippets of dialogue captured in passing at phone booths and crosswalks, in alleyways, subways, and diners—chance encounters, only presumably, with people going about their day—have something of the aleatory cut-up technique of the Dadaists in the 1920s and William Burroughs and Byron Gysin in the 1950s, an effort to divine new and deeper meanings in ordinary life. — Museum of Modern Art

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.

An English teacher travels back in time to prevent the Kennedy assassination, but discovers he is attached to the life he has made in a bygone era.

The true story of formidable Christy Martin, who rose to fame as America’s most successful female boxer in the 1990s. A naturally gifted fighter, Christy’s life transformed in 1989 when she met her manager and later husband, Jim Martin. Breaking boundaries, she became the first woman to sign with iconic promoter Don King and the only female boxer to appear on the cover of Sports Illustrated. Christy’s charisma, good looks, and unwavering resilience in the ring won her a wide fan base and propelled her to become welterweight champion. Behind this well-honed public persona, Christy tackled personal demons, toxic relationships, and an attempt on her life, proving that a fighter’s hardest-won victories aren’t always in the ring.

Pianosa Island, Italy, World War II. Bombardier John Yossarian tries to fulfill his duty, maintain sanity and return home as soon as possible, but incompetence and bureaucracy constantly stand in his way.

Robbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.

35年来，诺拉·潘科夫斯基(凯伦·阿兰饰)一直是宾夕法尼亚州科尔维尔的邮政局长。当美国邮政管理局决定关闭她的办公室时，她必须做出选择，是搬迁到一个新的职位，还是在科尔维尔面临退休。

The Master Cleanse centers on a heartbroken man who attends a spiritual retreat, only to discover that the course releases more than everyday toxins and traumatic experiences.

A full-length adaptation, originally staged as a play, of the court-martial segment from the novel "The Caine Mutiny".

1994 film by Richard Rush

During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult who are preparing for the resurrection of their leader Nix, a powerful magician who was killed 13 years earlier.

Bernie Laplante is having a rough time. He's divorced, his ex-wife hates him and has custody of their son, the cops are setting a trap for him, then to top it all, he loses a shoe whilst rescuing passengers of a crashed jet. Being a thief who is down on his luck, Bernie takes advantage of the crash, but then someone else claims credit for the rescue.

A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.

1992年的一座大奥兰多小镇上，水上乐园底薪员工克丽丝朵·斯塔布斯 (Krystal Stubbs, 克尔斯滕·邓斯特 饰) 迫于生计加入美国创始人商品公司 (Founders American Merchandise, FAM)，通过坑蒙拐骗在这个层压式推销组织里努力升级——而这场数十亿美元的金字塔骗局正是当初导致克丽丝朵家破人亡的罪魁祸首。

Alan Rudolph's "The Moderns" is a wonderful, funny and twisted film set in 1920's Paris, France. The front burner story is a triangle between Nick, his runaway wife and a cold as ice businessman that wants to obtain a higher social status. Nick(Keith Carradine)and Rachel(Linda Fiorentino)were married years ago and she bails out of the marriage. Years later, she shows up on the arms of Bertram Stone (John Lone). While he deals with her reappearance, he is also talked into making art forgeries by a rather shady behaving gallery owner, Valentin(Genevieve Bujold), as a favor for the wealthy Nathalie De Ville(Geraldine Chaplin). His friend, Oiseau (Wallace Shawn)constantly tells Nick that they should head to a new town called Hollywood to seek their fortune and Ernest Hemingway (Kevin J. O'Connor)wanders around in a state of alcoholic cynicism and making quirky observations.
The story, like the period in which the action takes place, is surreal. One scene has one of the dead characters rise from the grave like Houdini, strait-jack, chains and all. The relationship between Nick and Rachel is the heart of the story: Nick doesn't want to trust Rachel because of what she did, but all of his actions throughout the film are a result of Rachel. When he paints the forgeries, he thinks of Rachel's beauty and puts his feelings on canvas. He loves her, but is fighting with the possibility that if he opens his heart to her again, she will break it again. You can see this conflict when he slaps her in front of Stone, yet immediately becomes apologetic. Should he love her, or should he just back off? He clearly does when they share a sexual romp on the bathroom floor while her husband is downstairs.
The entire cast is great, but the best performance comes from O'Connor, who I think is one of the most underrated actors around.
This is a great movie to have if you feel like having a Paris night movie marathon, or just to have fun.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Nearly a decade after occupation by an extraterrestrial force, the lives of a Chicago neighborhood on both sides of the conflict are explored. In a working-class Chicago neighborhood occupied by an alien force for nine years, increased surveillance and the restriction of civil rights have given rise to an authoritarian system -- and dissent among the populace.

A guy gets more than he bargained for after entering into an affair with the wife of an investment banker. Soon, a suspicious death and substantial life insurance policy embroil him in a scandal.