A documentary short directed by Brian De Palma, The Responsive Eye documents the 1965 exhibition of optical art at the Museum of Modern Art in New York. Curated by William C. Seitz, the exhibition was the first major museum show dedicated to Op Art. The film captures both the artworks and the reactions of attendees, offering a snapshot of a pivotal moment in the relationship between contemporary art and public perception.

Described as a horror film set in Hollywood and featuring a predatory movie mogul. Further details TBA.

Young Charlie begins to develop cold feet as his wedding looms nearer. Desperate to throw the plans off-track, he tries a variety of tactics, including attempting to rekindle the relationship between his fiancée, Josephine, and her former boyfriend.

A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager.

美国洛杉矶当地时间11月8日晚，华策集团与极光影业在洛杉矶圣莫尼卡总督酒店联合举办了美国电影市场之夜。 在酒会上，华策影业常务副总裁张浩与极光影业CEO盖瑞·汉密尔顿宣布旗下合资公司极光联盟影业正式成立。
双方宣布，在未来的几年内，极光联盟影业将进行全方位、多层次的电影合作， 启动规模高达3亿美元的高概念电影片单。同时，双方联合宣布了首批中澳合拍大制作高概念电影项目，其中包括美国导演布莱恩·德·帕尔玛执导的惊悚悬疑电影《Lights Out》和李冰冰主演的《蛛巢》。
据悉，《Lights Out》将于明年3月在加拿大开拍，将描述一个中国盲女偶陷一场秘密刺客袭击的惊险故事。

This movie is silly but never stupid, so you can just enjoy it for what it is...a Jersey mob comedy. Principals DeVito and Piscopo are life-long friends who live next door to each other in Newark, and their source of income comes from the mob figure (Dan Hedaya) who allows them to pick up his dry cleaning and start his car (this was a funny scene..DeVito starting a car that might explode..the entire neighborhood clears out in 20 seconds! Plus the other mobsters bet on the outcome!) and go to the track for him. They are sometimes joined by Captain Lou Albano, who is out of his mind but at least did not attach those rubber bands to his face like he did when he was WWF-connected, and he has little patience for either of these flunkies.
Don't want to give anything else away, but the friends are put in the position of having to test their friendship and on the whole, this is a very satisfying comedy with a two leads in good form, great character actors like Julie Bovasso, Antonia Rey, Patti Lupone, Ray Sharkey, and an appearance by Harvey Keitel, too! Plus authentic Jersey locations, including a trip to Atlantic City..
Brian DePalma directed, and he is not renowned for his comedies but maybe he should be.

布莱恩·德·帕尔玛将执导犯罪题材影片[甜蜜的复仇](Sweet Vengeance，暂译)，本片将先于[捕食者]开拍，[捕食者]是以哈维·韦恩斯坦为主角的恐怖片。[甜蜜的复仇]故事根据两起真实谋杀案件改编，目前影片卡司未定，计划于2019年开拍。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
imdb comment

An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur film-making.

2019 film directed by Brian De Palma

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.

“布莱恩·德·帕尔玛拍于1962年的短片，为他赢得了奖学金，使他进入萨拉劳伦斯大学深造”De Palma’s first film was the mid-length Icarus in 1960. Two years later, he released Woton’s Wake , which follows the exploits of a sculptor who finds that a piece of his abstract art has morphed into a woman. The 30-minute flick, which ends with a mushroom cloud, won the 1963 Rosenthal Foundation Award.

A wealthy New Orleans businessman becomes obsessed with a young woman who resembles his late wife.

Naive young Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho-prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.

When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.

这部改编自经典戏剧作品的影片讲述了狄俄尼索斯的神话，以及他对一个城市的报复，这个城市对他平凡母亲的死负有不可推卸的责任。在这部影片中，帕尔玛首次运用了分屏技术，这种手法的优势在于可以在同一画面中同时表现某项事件的发生和事件观察者的反映。他之后的许多经典作品，如《奇胎怪案》、《魔女嘉丽》、《剃刀边缘》中都运用了分屏技术。