Leila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.

A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.

John Trimble has embezzled and obtains another identity by having a mutilated body buried in his place. He is later arrested for murdering himself. During the trial his mother, before dying from shock, asks him to keep his identity secret since his wife is now married to the Governor and expecting a child.

Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.

Angela and Bob Brooks are an upper-class couple. Unfortunately, Bob is an unfaithful husband, but Angela has a plan to win back her husband's affections.

Malaya tropical island romantic love triangle adventure thriller, about a cruise ship where Bubonic plague breaks out. Four people are able to leave the ship in a tiny boat and make it to a desert island, where many adventures ensue and, of course, the two men fight over the beautiful young schoolteacher who is with them.

Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")

In Cecil B. DeMille’s 1920 comedy Why Change Your Wife? Gloria Swanson (DeMille’s regular leading lady of this period) as Beth, a respectable and rather prim wife who discovers that husbands don’t necessarily want their wives to be respectable and moral. It’s not that he doesn’t love her; he just wants a little romance in his marriage, and when another woman comes along who offers him the excitement he craves, he inevitably strays. And divorce inevitable follows.
Beth then has a sudden revelation – maybe it’s not only true that men like shameless hussies, but maybe it’s also true that shameless hussies have quite a lot of fun. So she decides to transform herself into a sexpot.