Traveling from New York to Italia, pretty Mary rushes into moody macho lawyer Tito. The girl immediately falls for the guy with the gruffy manners and in an very impertinent way, she leans on him as she gets in trouble: Not only that she gets tied up in her suite by some Gangsters, but also, her new husband is found dead.

A successful and married, although not quite young, stage actress falls for a young man, who is involved with a young actress who uses him to advance her career and upstage the leading lady.

An enterprising reporter takes along four willing adventurers to interview and photograph a young Sardinian criminal in hiding. Under intermittent gunfire, they make their way to the mountain hideout of the bandit. After a leisurely conversation and photo session, the encampment comes under fire from a group of armed citizens acting as police. Bullets fly and violence overtakes the criminal's two henchman, as the thrill-seeking group and the wanted criminal find themselves under attack.

This erotic sexploitation feature concerns a couple and their pursuit of sexual fulfillment with each other -- and their mutually agreed upon third bed guests. Lesbian love angles includes the woman's step-daughter. Alberto (Jean Sorel) is soon left alone when the women decides his services are no longer required. After acting on his erotic fantasies, he is left alone and driven to madness when his girlfriend marries another after leaving with her lesbian lover. ~ Dan Pavlides, All Movie Guide

1972 film

An American journalist in Prague searches for his girlfriend who has suddenly disappeared.

"La giornata balorda" is the story of a 20-year-old youth's one-day search for a job that would spell security and decency for himself, the teenager he has not been able to marry and their three-week-old son... it was banned in Italy -- not because of sexual or anti-religious content, but because of its depiction of Italian society.

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)