Powerful drama set in 1960s Ireland about a young, unmarried mother-to-be whose family sends her to a convent. There, out of sight of society, her work in the laundry provides her with close friendships, which bring hope and relief from daily prayer and penance. (Radio Times)

Based on the novel by John McGahern and set in Ireland in the 1950s, the series tells the story of Moran and his children. Especially the girls find it difficult to get away from the influence of their despotic father and start living their own lives.

Recently released prisoner Daniel Brennan embodies the struggle of a man caught between two worlds, unable to fully integrate into the hearing world and shunned by his closest friends and the wider deaf community following his heinous crime. Amidst this isolation, Brennan's only meaningful relationship is with his estranged daughter Carly, who he has not had any contact with since his arrest over a decade ago.

The Virgin Queen explores the full sweep of Elizabeth's life: from her days of fear as a potential victim of her sister's terror; through her great love affair with Robert Dudley; into her years of triumph over the Armada; and finally her old age and her last, enigmatic relationship with her young protégé, the Earl of Essex.

The tight-knit Garvey sisters have always looked out for one another. But when the toxic brother-in-law they all wanted dead actually dies, it turns their lives upside down and tests their bond like nothing before.

Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives become intertwined with the drama of Russian revolution. Doctor Zhivago is still married when he meets Lara. Their love story is unfolding against the backdrop of revolution which affects the doctor's career, his family, and his love to Lara.

第一幕

("Overture")

少女查理蒂被男友查理騙走了金錢，("You Should See Yourself")看到了紐約的人情冷暖。她向同伴訴苦，眾人要她忘掉查理，繼續表演。("Big Spender")之後她又向好友希倫和妮姬訴苦，並不想再成為男人間的玩物。("Charity's Soliloquy")之後她遇到男影星域多利奧，他帶她去到五彩斑爛的娛樂圈。("Rich Man's Frug")查理蒂對他帶給她的名氣甚感開心。("If My Friends Could See Me Now")好景不長，域多利奧女友烏蘇拉呷起醋來，域多利奧安撫了她("Too Many Tomorrow")，查理蒂識趣離開，並且希望會有個更好的未來。("There's Gotta be Something Better Than This")

第二幕

在困升降機事件中會計師奧斯卡和查理蒂相遇，二人都想開心些。("I'm the Bravest Individual")奧斯卡帶了她去參加教會的活動，("The Rhythm of Life")查理蒂覺得他十分好人。希倫和妮姬都說這樣的男人信得過。("Baby, Dream Your Dream")又一次事件　－　二人的降傘纏住了，奧斯卡的信心和經驗救了二人。("Sweet Charity")可是查理蒂告訴奧斯卡她在銀行工作，她覺得再騙下去於良心十分不安。("Where am I Going?")可其實他並沒有介意，反而向她求婚。("I'm a Brass Band")查理蒂向同伴們告別，("I Love to Cry at Weddings")終於她有了一個好結局　－　不。奧斯卡最後還是和她分開了，她再次跌進池裡。可她仍然滿心希望，要找到她的真愛。("Finale")

由BBC制作，是关于英国芭蕾舞女演员玛戈特·芳婷（Margot Fonteyn，1919-1991）的传记片。

2018 animated television miniseries

《麦克白》故事发生在处于战乱连年的遥远苏格兰。3个命运女巫的出现，道出了改变命运的预言。麦克白和班柯，两员英勇无畏的大将在战斗中力挽狂澜。国王邓肯将叛变的考顿爵士的封号和领地转封给麦克白，将王位传给了长子马尔康。麦克白和夫人合谋杀害了邓肯国王。因为惧怕班柯泄露命运女巫的预言，也杀害了班柯。女巫们提醒他要小心已逃亡到英格兰的麦克德夫。麦克白为求心安，最后还是杀害了麦克德夫的妻儿。马尔康和麦克德夫从英格兰请到了援军，直逼麦克白所在的城堡。3个命运女巫的预言原是一种双关语，麦克德夫最终杀死了麦克白，马尔康得到王位，成为苏格兰的国王。

Husbands & Sons interweaves three of D H Lawrence’s greatest dramas, and plays them simultaneously. Describing the world he came from with fierce tenderness, Lawrence evokes a now-vanished world of manual labour and working class pride.

It’s risky work, handlin’ men, my lass. For when a woman builds ’er life on men, either ’usbands or sons, she builds on summat as sooner or later brings the ’ouse down crash on ’er head – yi, she does.

On the cracked border of Derbyshire and Nottinghamshire stands the village of Eastwood.

The women of the village, wives and mothers, struggle to hold their families and their own souls together in the shadow of the great Brinsley pit.

British TV series

British TV series

2019 British television series

With exceptional access to one of the UK's biggest and busiest NHS trusts, BBC Two's critically acclaimed Hospital returns for four new episodes.
Following on from the success of the first series (which aired on BBC Two earlier this year and attracted audiences of over three million viewers) cameras return to Imperial College Healthcare NHS Trust in London for a month during spring 2017.
Edited and broadcast within weeks of filming, the second series delves even deeper into some of the most complicated and challenging issues that staff at Imperial College Healthcare NHS Trust face. The programmes will explore the real human stories behind the headlines - from the volume of mental health patients in A&E, to accessing new cancer drugs and following complex life and death decisions when the hospital finds itself responding to a major terrorist incident.
Filmed by multiple crews, showing numerous perspectives, Hospital continues to probe the extraordinary dilemmas and decision-making that unfolds every day in the Trust's five hospitals.
Produced in partnership with The Open University.

Two complete strangers, ANNA and STEPHEN, are brought together by chance by an elderly man who waits for his wife on a station platform...

Jed prepares to interview French cineaste and self-appointed expert on the nature of love - Thierry Grimandi. The worldly and somewhat jaded Jed is dead-set on dismissing the auteur's musings as pompous and, well French, until his own relationship with Cheryl starts to fall apart and he is forced to re-evaluate the illusive subject. Soon everyone is talking about love: his relationship counsellor, drinking buddy Marcus and Marcus' girlfriend Sophie Beginnings, endings, tricks...could the French be on to something?

The NHS faces its greatest crisis since it began. There are more A&E admissions, more hospitals in special measures, and higher public expectations.
Now BBC Two is making a major access series inside one of London's biggest hospital trusts, Imperial College Healthcare NHS Trust. The Hospital: Life And Death In A Week (w/t) will follow the complex decisions made every day in the Trust and show how they impact on patients and staff across departments.
Stories will unfold across six episodes, told with the patients at the centre of the films - from the minute they are admitted to hospital to the moment they leave. The series has unprecedented access looking behind the scenes where nothing is as simple as life and death.