Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark, and begins getting attention from young men. Her daughter tries to warn her that even though she has had the surgery it might be too late for her marriage, but she clings to the hope that Mark will come back once he sees her new look. Meanwhile, she must decide whether or not have an affair with a young man she's met.

On the Côte d'Azur, a rich man wins a large sum of money playing at the casino. As he leaves the establishment, he is assaulted and knocked unconscious, his loot stolen. A few days later, the young croupier who had given him his winnings is involved in a motorcycle accident while avoiding a car. The investigation brings the two men together, but the millionaire's wife falls in love with the handsome young croupier. The plot begins...

Set in 1919, this confusing, slow-paced, labyrinthian political drama focuses primarily on the confrontation between two military leaders, Konrad von der Berg (Franco Nero) and Erich von Lehner (Helmut Berger). The implication is that the outcome of their meeting will determine whether Germany will be dominated by the Nazis or not. As the two men confront each other in a deserted military camp, they display a wide range of emotions and a seemingly unflagging ability to talk. Flashbacks reveal the history of their relationship. In the end, one destroys the other but then he has to go back and face the rising Nazi menace.

A notorious gang of robbers threaten the Ruhr region of Germany in the 1920s.

A microcosm of people lost in search of an artificial happiness, which leads them to steal and prostitute themselves for the short ecstasy of a squirt of heroin in the veins. Marco and Pina live in this world of drugs, prostitution and violence, and they must fight for their survival. One day one of their friend dies during a holdup. Marco and Pina are helpless and will do anything to escape, but fate does not want a similar world. Between bites of heroin and sidewalk they are in a deadly trance.

Ganz Wien träumt von der Liebe. In welch' facettenreicher Art und Weise sich dieser Traum gestalten kann sieht man bei Emma, Alfred, Marie, Karl, Leokardia, Franz und ihren Partnern, die sehnsuchtsvoll nach Liebe dürsten. Wie es der Zufall will, kreuzen sich ihre Wege.

In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the 'overlords' were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French Resistance.

丹涅拉（芭芭拉·苏科瓦 Barbara Sukowa 饰）因与猎场看守鲍里斯（赫尔穆特·贝格 Helmut Berger 饰）有染，在打猎时借机射杀了她的丈夫。后者作为唯一目击证人帮助她将这起谋杀案掩盖为狩猎事故。几年过去，丹涅拉嫁给了外交官史蒂芬·马蒂森（梅尔·费勒 Mel Ferrer 饰），后者对她阴暗的过去一无所知。当马蒂森夫妇来到捷克斯洛伐克的塔特拉山脉狩猎时，丹涅拉和她的旧情人重逢了。
在狩猎季的背景下，一段三角畸恋再次发展，并带来了致命的后果......

A look at the ideas and people that was involved in the naziploitations movies.

16岁的阿克塞尔无家可归，加入了新纳粹组织，被同伴们逼着打砸抢杀。在一次报复社工的行动中，阿克塞尔误杀了一名社工，惊惶失措的阿克塞尔误闯进了老人古斯塔夫的家里，这位80多岁的老人是个没出柜的同志，他接纳并保护了阿克塞尔，同时也唤醒了他遗失太久的回忆...

This comedic political satire lampoons Russian communist leader Josef Stalin and ridicules the brief period of communism in Italy following World War II. The leader has sex on a bedspread with his own likeness. A hammer and sickle, along with a swastika, is prominently displayed on the posterior of his lovely mistress. The film continues with a series of sight gags, puns and short sketches with some brief interludes of female nudity. The finale finds Stalin's coffin being removed from the mausoleum in Red Square in Moscow and Italy finding another government. ~ Dan Pavlides, Rovi

You can't get much cooler than an Italian crime film, and Beast With a Gun is yet another excellent example of this cult sub-genre! The film is quite a lot nastier than the majority of Italian crime films that I've seen, and at times it feels like it owes a lot to the exploitation genre! Naturally, there's the usual array of fistfights, shootouts and car chases; but here we've also got rapes and scenes of torture - among other stuff. So Beast With a Gun might not be everyone's cup of tea - but I think most people would agree that the nasty edge certainly gives the film a bit more 'bite'! The film begins with the escape of three nasty convicts. Their leader is a man named Nanni Vitali, and their first port of call after escaping from jail is killing the dirty scumbag that turned them in. However, when they catch up with him; Nanni takes a shine to his girlfriend, and proceeds to brutally rape her before killing the snitch. He also wants the girl to help them pull off a robbery; and she agrees to help them, but not before telling the police all about it...
The main strength that this film has is undoubtedly Helmut Berger. Berger is absolutely spot on with his role as the nasty criminal at the centre of the tale, and every moment he's on screen is completely gripping. He is joined by experienced Eurocult actress Marisa Mell, who provides the eye candy in style! Richard Harrison rounds off the central cast with the token 'cop' role and like his co-stars - plays it well. Beast With a Gun also features an excellent soundtrack, which goes well with the film and definitely adds to every scene it features in. Realism obviously wasn't big on director Sergio Grieco's priority list, however, as the film features numerous instances that don't make a lot of sense - the scene that springs to mind instantly is the one where a certain female cast member is shot in the leg...and then instantly diagnoses it as 'not serious' and barely bats an eyelid! I've got to say, if I got shot it would be VERY SERIOUS, no matter where it got me. However, this isn't important as Beast With a Gun does the important thing - that being entertain the audience - very well, and fans of Italian crime films won't want to miss it!

克里斯（米谢尔·马蒂切维克 Misel Maticevic 饰）是一位成功的银行家，在行业内享有着极高的声誉，亦因此而过上了衣食无忧的物质生活。然而，一场突如其来的灾难让克里斯背负上了挪用公款的罪名，人生彻底陷入低谷的他失去了生存的希望，企图了却自己的性命。
卡门（乌苏拉·斯特劳斯 Ursula Strauss 饰）是银行的清洁女工，凭借着微薄的工资，她要供家中两个孩子上学念书。尽管背负着巨大的生活压力，但卡门始终以乐观的态度看待生活，以积极向上的姿态努力拼搏。这样两个个性和境遇截然不同的人走到了一起，在卡门的帮助下，克里斯渐渐走出了抑郁，他和卡门之间亦结下了深厚的情谊。

Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli & Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.
Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.
All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…

弗蒙（赫尔穆特·贝格 Helmut Berger 饰）是一名美容医生，表面看来，他衣冠楚楚非常值得信赖，但实际上，他的内心里藏着许许多多的邪恶想法。这么多年来，他一直联手残忍的院长尼坦丽（碧姬·莱尔 Brigitte Lahaie 饰），干着绑架妙龄少女的勾当，他们将少女残忍杀死，抽出她们的骨髓和鲜血，制成能够回春的美容药物，卖给阔太太们。
终于有一天，弗蒙遭到了受害者亲人的报复，可是倒霉的却是他的妹妹英格（Christiane Jean 饰）。英格的脸遭到了硫酸毁容，痛心疾首的弗蒙发誓一定要让妹妹恢复美貌，于是开始绑架美女，剥下她们的面皮，试图嫁接到英格的脸上，但这些试验无一不失败了。