An underground revolutionary group struggles against internal strife to stage urban guerilla attacks against a fictionalized fascist regime in the United States. Interspersed throughout the narrative are rhetorical sequences that explain the philosophy of radical action and restrain the melodrama inherent in the thriller genre.

A woman translates the front page of H.P. Lovecraft's book “The Silver Key”. Her husband, a journalist, listens. The book describes the conflicts between the real and the imaginary, and tells how Randolph Carter, the film's character, leaves everyday life in search of his childhood dreams.

drama, France 1984, director(s): Thomas Harlan

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

Devotion investigates the extremely complex and heirarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man-Ogawa Shinsuke. Members of Ogawa Pro filmed the student movement of the late 60's; the fight by farmers to save their land from government confiscaton for the Narita airport at Sanrizuka; and the village life of a small farming community, Magino Village, in northern Japan. These heartbreaking and sometimes funny stories have never been told on film before. Rare footage, stills, and diaries with interviews with Oshima Nagisa, Hara Kazuo and Robert Kramer make this historical inquiry visually exciting as well as valuable.

马可波罗（约翰·马修斯 John Matthews 配音）是一位著名的旅行家，在完成了对于神秘古国香都的拜访自后，马可波罗准备打道回府。临行前，可汗（迈克尔·卡斯洛夫 Michael Kostroff 配音）将珍贵的金币赠送给马可波罗彰显两国友谊，却没想到，野心勃勃的大臣福林（Anthony Mozdy 配音）盗走了金币，下落不明。
一晃眼数十年过去，马可波罗的后代小马可（尼古拉斯·冈萨雷斯 Nicholas Gonzalez 配音）带着拥有穿越时空之能力的半块金币再度回到了香都，想要解开围绕着金币产生的谜团，与此同时，福林亦再度现身。小马可和朋友们能否打败福林夺回金币，并且拯救身陷险境的公主殿下呢？

During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.