Conor Marsh lives a secluded life with his dog, Sandy, until one day he begins playing OBEX, a new, state-of-the-art computer game. When Sandy goes missing, the line between reality and game blurs and Conor must venture into the strange world of OBEX to bring her home.

Conor Marsh lives a secluded life with his dog, Sandy, until one day he begins playing OBEX, a new, state-of-the-art computer game. When Sandy goes missing, the line between reality and game blurs and Conor must venture into the strange world of OBEX to bring her home.

Diary film collecting saved snapchats from the director's college years

Dom and Yas’ paths collide at the least opportune time: when Dom (David Jonsson) is ugly-crying in a toilet stall, steeling himself for an awkward meal with his ex, who cheated on him with his best friend. Nursing her own breakup wounds, freewheeling Yas decides to jump headfirst into the fray to lessen the sting as Dom’s date. What follows is a day of impulsive and joyous mayhem, as these two twenty-something Londoners roam Peckham through karaoke bars and playgrounds, all the while inching towards the possibility of opening their hearts again.
For her visually inventive feature debut, director Raine Allen-Miller launches us into a playful and vibrant world, shaping a romantic comedy that celebrates meeting the right person at the wrong time. Nathan Byron and Tom Melia’s fresh characters leap off the page at breakneck speed in the hands of Oparah and Jonsson, channeling all the frustrations of swiping fatigue while holding onto the hope of finding the real deal. Much like its namesake in the beating heart of South London, Rye Lane is irresistible.
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