In einer poetischen Spurensuche lässt Regisseurin Regina Schilling das Publikum am Entstehen von Kunst teilhaben: Schauspielerin Sandra Hüller nähert sich dem Leben von Ingeborg Bachmann an einem imaginären Tag und verleiht ihren Worten eine eindringliche Präsenz. Mit einem kunstvollen Geflecht aus improvisierten Szenen, Archivschätzen, Interviews und Bachmanns eigenen Texten durchmisst der Film die zentralen Lebensphasen der Autorin – von der Kriegskindheit in Kärnten, dem Aufstieg zum Star der Gruppe 47 bis zu den letzten Tagen in Rom. Der Weg ist gezeichnet von ihren komplizierten Beziehungen zu Paul Celan, Hans Werner Henze und Max Frisch und einem unnachgiebigen Ringen um eine eigene, radikale Sprache zwischen öffentlichem Ruhm und existenziellen Krisen.

In CURTAINS, Sandra Hüller tells the story of a woman who breaks out of a long-term violent relationship and of a political and social system that prefers to look the other way. The film shows the power structures behind the facades and how the state inadequately protects women.

Based on Robert Macfarlane’s bestseller, UNDERLAND is a cinematic voyage beneath the surface of the earth.

upcoming film directed by Paweł Pawlikowski

Currently in production, “True-ish” follows Janet Paine, a well-intentioned but deeply insecure Manhattan PR executive with a specialty for smear campaigns. “A toxic build-up of stress, alcohol and miscommunication leads to her relocation to the Balkans for a job that sounds noble — director of outreach at a ‘peace lab’ — but in reality involves generating fake news to target political regimes on the fringes of the EU,” the film’s synopsis reads. “Desperate to make amends for past mistakes and show initiative, she ends up staging footage of atrocities that gets her into deeper and deeper trouble, with serious international consequences.”

A woman discovers the man she has lived with for years is not who she thought he was...

Halberstadt, the summer of 1990: Maren, Robert, and Volker come across millions of East German marks in an old tunnel. Although the money is technically worthless, the three friends smuggle it out in their backpacks and involve their neighbors in a clever scheme to cheat capitalism by exchanging it for goods.

2010 film by Nanouk Leopold

17世紀初，在德國的某個地方，一名神秘的士兵來到一個孤立的新教村莊。这个陌生人天性娇小而谦虚，脸上因伤疤而毁容，他宣称自己是一个废弃已久的农场的继承人，并出示了一份文件来支持他对可疑村民的索赔。随着时间的流逝，他克服了他们的疑虑，证明了自己是一个勤奋、敬畏上帝的人，成为他们社区的一部分。然而，他对接受的追求建立在一个大胆的谎言之上。一个骗子真实而曲折的故事，她藐视自己作为女人的出生，把自己当作男人，欺骗了一个村庄。

A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

After an elaborate application process, Empress Elisabeth of Austria hires Countess Irma as her new lady-in-waiting and takes her to her summer residence on Corfu. As the two women become closer there, this soon leads to tensions back in Vienna.

The true story of Claerenore Stinees, who became the first woman to circumnavigate the globe by car.

1896年。年轻的医生乔治相信最新发现的X射线能治好病人所有的病。他完全投入到他的试验中，赌上了一切。他的妻子夏洛特想跨越和丈夫越来越疏远的障碍，而且随时准备好了离开。

Clara is 39 and is taking a PhD in philosophy. She lives in a Kreuzberg flat share while her teenage daughter lives with her ex. Clara is having a secret relationship with one of her students. Her thesis supervisor, the strong and independent Margot, provides her with professional encouragement. When Clara visits her home in provincial Mecklenburg-Vorpommern for her mother’s birthday, she finds herself struggling with the pride and expectations but also with the rejection of her family and former companions. She begins to realise just how far she has moved away from her roots in her search for a self-determined life. But perhaps she had to move away. Because one’s perception of home can change.
Annika Pinske’s quiet drama is a study in familiarity and distance, liberty and compulsion, the countryside and the city. Sensitive, nuanced performances from an outstanding cast with an assured command of the local dialects allow the audience to experience the atmospheres of both Berlin’s university milieu and the rural family get-together.

The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.

Two art thieves have stolen the famous "Black Square" of Russian painter Kasimir Malevich. They plan to meet their clients on a cruise ship to hand over the looted art. However, things are not going quite as planned..

Mona’s days are filled with concern for her mother, a woman broken by her belief that her nightmares are real. In search of answers, Mona arrives in a village where she encounters an old family curse in a strange hotel.

Over sixty years after the end of the Second World War, forty years after the student revolts of 1968, thirty years after the “German Autumn” of 1977, twenty years after the fall of the Berlin Wall and, in the midst of the social upheaval caused by the reforms of “Agenda 2010” as the country moves into the globalised world of the 21st century, a group of German film directors have come together to create a panoramic impression – each from their own individual point of view – of the social and political climate in today’s Federal Republic. Each of the directors involved in this episodic film has created their personal cinematic take on present-day Germany.
招蘇珊桑塔格和《赤色風暴》女恐怖分子的魂；通街都是塔利班，窮小子必然是小偷。這邊拆舊樓是忘記「德國童年」，那邊放棄歌德字體，編輯要死。《黑金殺機》湯泰華扯頭纜，13導演響應，有《快樂的謊言》的胡夫根貝嘉、《玩謝希特拉》的丹尼李維、去年焦點導演《收視大騎劫》的漢斯雲格拿，和《天堂邊緣》的法堤艾金等，劇情片外也有論文和抒情詩紀錄片另類觀察。精彩對白摘錄：每個人都可以成為恐怖分子／德國已沒有人挨餓／德國需要一記腦震盪／德國已矣，他們相信不已。角度縱橫勁抽有深度有態度，絕非只有浪漫溫馨，模仿《我愛巴黎》。

2013 film by Frauke Finsterwalder