A girl named Mary Morsten comes to Sherlock Holmes, who asks him and the doctor to help solve the annual receipt of one pearl by her parcel and in the search for her father, who disappeared many years ago. Holmes and Watson do not refuse her help and find out that Miss Mary is the heiress of a huge fortune — the treasures of Agra, which are also claimed by the sons of Major Sholto and Jonathan Small — an escaped convict with a wooden prosthesis instead of a leg, whom the elder Morsten and Sholto deceived (while Sholto also deceived Morsten).

A rare astronomical phenomenon — the parade of planets — has a strange effect on several men. The heroes of the film — an astrophysicist, locksmith, salesman, architect, loader, trolley bus driver — are called up for military training, which ends ahead of time. There is a strange pause in their life — no one knows where they are, no one is waiting for them, and they themselves can not rush anywhere. This short respite in a hasty and busy life gives the heroes the opportunity to experience strong and very important feelings for them.

Former criminal investigator, Major Korenev, nicknamed Fox is released from prison. He has been detained there as a result of planted incriminating evidence of unlawful investigation techniques. Setting accounts with Shaman - a big criminal boss, who ordered the evidence planted and also with his former colleagues was not a part of Korenev's agenda. As he returns to Moscow he finds a new world ruled by underworld bosses, criminal clans fighting each other and utter chaos on the desperately keeping appearances streets of Russian capital. Facing death of his friends, Major Korenev decides to re-install law and order using some unorthodox methods that are only relevant in 21st century Russia.

According to ancient legend, the artist found a mineral that can revive any inanimate thing. To hide the mineral, he inserts it into a doll named Hagi. A century later, Hagi falls into the hands of a puppeteer, and he with horror discovers that the old doll is alive. Moreover, she also has a nasty character. Criminals try to take possession of it in order to use it for mercenary purposes. But they do not know the secrets of this doll - no one can take possession of it, but it has a destructive effect on any person who falls within its influence.

A woman who cleans toilets has dreams of meeting a lover and finding happiness.Will these dreams, in the winter of a USSR in its last years, come true?

Denis Sazonov, a former driver of the KAMAZ-master racing team, wants to return to his native team after a 12-year break and collapse on all fronts of life. But it turns out to be difficult: once, having become the youngest world champion in the history of rally raids, he was fired from KAMAZ-master for violating team ethics. Denis wants to regain his sense of self-respect and involvement in the "big deal" and win the rally raid again. But no one is waiting for him in the team. Eremin, the deputy director of the team, does not want to give him a chance, because he believes that Denis violated the team rules. Sazonov gets a job as a cleaner in the team, going all the way "to the wheel" from the very beginning. But even here an unpleasant surprise awaits him: he meets his ex-wife Zhenya, who plans to take the place of navigator and become the first female pilot in the men's team.

After traveling around the country, Alexey Krasheninnikov stayed in the city - they promised an apartment at work. But a letter came saying that the old people were sick. Alexey went home with his family and decided not to return to the city after his father's funeral...

Russian television series by Vladimir Mirzoyev

television series

这是一部童年回忆的电影，主要讲的是两个小男主的父亲战后从法国归家的情景。

为了巩固自己的势力，特级公司爵孟什科夫为十一岁的彼得二世和自己的女儿举行了订婚典礼，并将皇帝控制在自己的宫殿内。因为孟什科夫害怕多尔戈鲁基公爵兄弟对这个小皇帝有不好的影响，特别是害怕聪明美丽的叶丽扎维塔的影响，因为彼得二世非常喜欢她。孟什科夫想做顾命大臣，直到皇帝成年和玛丽娅结婚，然而他突然得了重病，不得已立了遗嘱，向彼得二世和玛丽娅交代了最后几句话…… 彼得二世终于从被人钳制中摆脱出来，大臣伊万·多尔戈鲁基地把他带到了皇族消暑的胜地——彼得夏宫，老奸巨滑的大臣奥奥斯捷尔曼伯爵企图在这里稳住皇帝，再和同党一道彻底推翻病危的孟什科夫的统治。他们唆使彼得二世反对孟什科夫。 然而孟什科夫却奇迹般的康复了，为了庆祝自己的康复，孟什科夫修建了教堂。在教堂落成当天，孟什科夫请来了年轻的皇帝，不料一贯听话的皇帝却给了孟什科夫一记响亮的耳光…… 孟什科夫明白了，在他生病期间政治局势已经发生了剧烈的变化……

孟什科夫企图重新控制彼得二世，但是在阴谋者的策划下这位小皇帝却逃跑了。这是殊死的博斗！因为阴谋者们都非常清楚，盛怒下的孟什科夫有多么的可怕，他曾亲手砍下了叛军的脑袋。他们逼皇帝签署了几份早已准备好了的文件，然后带着皇帝藏了起来…… 这场持续了几年的阴谋以强大的当权者孟什科夫等人被流放而告终。 在白雪皑皑的大路上，满头白发的孟什科夫甩掉了身上华贵的衣裳，还回了皇家勋章和女儿的定婚戒指。在他的身后，子女们乘坐的马车在慢慢的走着，其中也有被后人称之为“破产的新娘”的玛丽娅…… 两年来，孟什科夫在别廖佐夫只做一件事，就是祈祷，请求上帝的原谅，忏悔自己的罪过。临终前，孟科夫对子女们说：“学会去死，别为尘世间的空虚悲哀……”

2005年的传记电视剧关于苏联领导人勃列日涅夫。

Following the Russian Civil War, a loyal Red, Shilov, must prove he is at home among strangers as he attempts to recapture a shipment of gold that he was supposed to deliver to Moscow. Needed as a means of buying food for the people, the gold Shilov was entrusted with is stolen, initially by a group of assassins and then by a group of bandits. In tracking the gold’s whereabouts, Shilov’s motives are questioned and he is suspected of treason, in part because his brother was a devoted White. In an effort to clear his name, Shilov locates the gold, but he also discovers rampant greed and corruption.

当整个国家都在关注1980年莫斯科奥运会时，伏尔加河上的少先队营地"布雷维斯特尼克"发生了一些怪事。孩子们在晚上神秘地消失，又神秘地回来，但和以前大有不同。对夏季自由和对彼此充满热情的领队并没有注意到可怕的先驱传说是如何在他们的队伍中复活的，营地的领导层则装作一切如常。男孩瓦莱克和伊戈尔的辅导员必须了解“布雷维斯特尼克”的秘密。首先，他们必须知道营地里是否还有人值得信任。

It's a truly extraordinary film, easily the best we’ll see about Chernobyl, and criminally rarely seen. It has satirical and surreal moments, but is ultimately a damning indictment of everything about the country in the 1980s. The visual allusions to Eisenstein and Tarkovsky are beautifully appropriate...
RASPAD is a hard-hitting Ukrainian film that details the horrors and aftermath of the Russian Chernobyl nuclear-reactor incident.
In April 1986, Soviet journalist Alexander Zhuralev (Sergei Shakurov) returns from assignment in Greece to his home in Kiev, only to discover, via an anonymous note, that his wife Ludmilla (Tatiana Kochesmasova) has been having an affair with his bureaucrat friend Shurik (Alexii Gorbunov). To consol himself, Alexander plans a visit with his friend Anatoli Stepanovich (Georgi Drozd), but before they can meet, a fiery explosion rips through one of the Chernobyl reactors, where Anatoli works, and he is one of the first victims. However, no announcements are made by the government, and life continues normally.
Newlyweds Valerii (Alexii Cerebriakov) and Lyuba (Marina Mogilevskaya) mount their motorcycle and set off on a camping honeymoon in the forests near Chernobyl. Soon towns near the site are being evacuated, and in Kiev (about 70 miles south of Chernobyl), Shurik tells Ludmilla about the accident and advises her to leave at once. Alexander, however, is able to find out nothing from his sources in the government. At the train station he discovers mass panic--all tickets are reserved for government officials and their friends. On their trip Valerii and Lyuba see dead animals and are startled by men in white radiation suits examining the area with their instruments; they flee to a church where an Easter mass is in progress. Still, no news from the government is forthcoming.
After a vodka-soaked Easter party, Alexander agrees to allow his wife and their son, Dimko (Taracik Mikitenko), to leave with Shurik only if he arranges access for Alexander to Chernobyl. He joins a small band of reporters on a helicopter that flies over the abandoned area, especially the town of Pripyat, where most of the Chernobyl workers lived. Stunned but feeling heroic for having been able to report on the disaster to his newspaper, Alexander returns home and finds that Ludmilla and Dimko have returned--they will face whatever future they have together as a family.
Translated into English as "Collapse" or "Disintegration", RASPAD is much more than a chronicle of the Chernobyl accident. In it, producer-director-coscreenwriter Mikhail Belikov aims to document a country's entire moral, social, political, and economic disintegration. There are scores of concise and telling details here, from the small (Alexander has forgotten to bring a requested packet of soil from Greece, the homeland of his father, and so he fools the old man with some backyard dirt), to the medium (Ludmilla lies to Alexander about her affair; Valerii and Lyuba have bribed an official to send a relative to an old-age home so that they can take over their small, shared apartment), to the large (government officials tell Alexander there is no danger, then head their limos to the airport for the next flight out). Belikov reserves his greatest scorn for his own profession: the media--in the aftermath of the explosion, the TV channels (seen throughout the film) continue to carry only a marathon bicycle race.
Mostly documentary-like in style, RASPAD is savage and unsubtle in its catalogue of ills, yet it's beautifully controlled, avoiding both cliche and sentimentality, by Belikov, a former director of photography helming his third feature following 1981's THE SHORT NIGHT and 1985's HOW YOUNG WE WERE. The character Alexander is an obvious stand-in for Belikov, who was living in Kiev during the incident and has based his film on stories he heard from friends, relatives and colleagues.
In addition to Kiev, Belikov was allowed to shoot on actual locations, including the contaminated town of Pripyat (row after row of abandoned, deathly still apartment buildings and streets) and, most horrifyingly, the reactor areas of Chenobyl itself (for which scenes Belikov and his crew, three years after the fact, risked contamination themselves). Yet there are also touches of poetry here and some near surreal scenes (the sudden appearances of the white-suited figures at public outdoor events, which the government had allowed to go on after the explosion).
Beginning production with a $600,000 budget on the third anniversary of Chernobyl, and with the Soviet film industry in a collapse of its own, Belikov was technically aided (film stock, etc.) by American producer Peter Almond and the Pacific Film Fund, which brought the movie and Belikov to San Francisco for post-production.
The film premiered at the 1990 Cannes Festival.

The story about a very small god-forgotten village in Siberia reflects the history of Russia from the beginning of the century till the early 1980s. Three generations try to find the land of happiness and to give it to the people. One builds the road through taiga to the star over horizon, the second 'build communism' and the third searches for oil.

Pioneer leader Serge, a sculptor, decides to work in a new plastic material, among creatively gifted children in a camp located in an old mansion. Pioneer Lopukhin is so in love with his classmate Ergolina that he does not notice how fascinated Sonya Zagremukhina is with him. Showing their emotions and moods helps their participation in the production of the play "Masquerade" by Lermontov, and the play itself imperceptibly turns into a drama with unexpected confessions, insults, jealousy, and outbursts. The teens are so busy with their feelings that they do not pay attention to the pedagogical ideas of Pioneer Serge, and by the end of the film, with no additional encouragement, they are ready for a commemoration of first love.