一场看似微不足道的事故，却引发连锁反应，导致事态不断升级。

Victims of torture capture one of the perpetrators and must debate what to do with him.

In Iran, the retired dance teacher Tarlan witnesses her friend Rana’s murder by her husband, who is an important government figure. When the police refuse to investigate, Tarlan must decide whether to bow to political pressure or risk her reputation and livelihood in pursuit of justice.

2022 film directed by Jafar Panahi

两个坐在车里的神秘陌生人，开始每天停在一个原本普通的伊朗街区，他们被怀疑是威胁国家安全的因素，并且在街区中掀起了一波怀疑和不信任的浪潮，因为每个人都觉得自己有理由被监视。但是，邻居们都怀疑监视的主要目标是巴赫蒂亚尔，一名库尔德教师，一名新来的外国人，并试图迫使他自首或离开街区。

When a young girl's mother doesn't meet her after school, she tries to navigate the streets of Tehran by herself.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.

In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.

During the 2006 World Cup qualifying match between Iran and Bahrain, numerous young women are caught and rounded up for dressing as men so they could gain access to the game. Guarded by several soldiers in a holding pen, the women attempt to keep updated on the score.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…