Returning to the house where his family was brutally murdered during the war, 'the man who refuses to die' dismantles it, loads it on a truck, and is determined to rebuild it somewhere safe in their honor. When the Red Army commander who killed his family comes back hellbent on finishing the job, a relentless, eye-popping cross-country chase ensues — a fight to the death.

Antti Pasanen juggles between taking care of Paavo, his work and personal life, until Enni has an accident and he has two kids to take care of.

Young Pietari lives with his reindeer-herding father in arctic Finland. On the eve of Christmas, a nearby excavation makes a frightening discovery and an evil Santa Claus is unleashed…

An elite trio of expert hunters venture into the woods to track and capture an especially rare and dangerous prey for the Christmas season.

When an ex-soldier who discovers gold in the Lapland wilderness tries to take the loot into the city, German soldiers led by a brutal SS officer battle him.

An elite trio of expert hunters venture into the woods to track and capture an especially rare and dangerous prey for the Christmas season.

Young Pietari lives with his reindeer-herding father in arctic Finland. On the eve of Christmas, a nearby excavation makes a frightening discovery and an evil Santa Claus is unleashed…

A young boy lives with his mother on a farm surrounded by deep forest in the remote wilds of the Finnish countryside. From time to time, the boy visits his father - a man of great violence - in prison. Locked in the stable is an unruly horse, the boy's only other companion. Their simple life is disrupted when a stranger appears, with a note from the father and a bullet in his side. Reluctantly, mother and son offer the stranger refuge.
Jukka-Pekka Valkeapää's The Visitor (not to be confused with the Thomas McCarthy picture starring Richard Jenkins) carries on the vital lesson of Aki Kaurismäki, according to whom images speak more potently than words, especially in Finnish cinema. Valkeapää doesn't go as far as Kaurismäki did (he actually made a silent film, Juha, in 1999), but gets pretty close thanks to his bold narrative choice of having a mute protagonist. (...) He's on camera something like 95% of the running time, and the director uses his silence to pinpoint the real selling point of the film: the kid's relationship with nature, the only thing as quiet as he. Since the story takes place in winter, Valkeapää guides us, through the protagonist's eyes, into a landscape so beautiful it beats the living crap out of the best Christmas postcards.