Through a strikingly intimate and visually daring lens, Kiki offers a riveting, complex insight into a safe space created and governed by LGBTQ youths of color, who are demanding happiness and political power. The film is an exciting coming-of-age story about agency, resilience, and the transformative art form of voguing. World Premiere

Almost a tone poem, this is a collage of sounds and images: gay, Black men dance, sing, and recite poetry. They call each other to arms to parade and flaunt their race and sexual orientation. They call on each other to rewrite history, to pervert the language, to "be freaky and free," and to confront America in order to redefine it in a way that gives them standing as equals.

Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. "Black men loving Black men is the revolutionary act" is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.

1990 film by Jennie Livingston