Mansi, the elder sister, has to take up professional singing to support the family after her father's death. The film focuses mainly on the female characters and traces how the younger sibling Bansi regains her identity.

Two peasants are ill-prepared for life in the big city after moving from their tiny village to Bombay.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

The son of a politician loyal to the British rule falls in love with the daughter of a freedom fighter.

Stranded in an abandoned building, six friends relate scary stories while a crazed killer lurks in the forest.

A frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. Of course, there are no easy escapes from reality.

影片取材于苏军炮轰柏林前希特勒在柏林地堡度过的最后一段日子。希特勒的情妇爱娃·布劳恩自17岁起就跟随在他身边，直到1945年4月30日二人双双自杀，他们在自杀40多个小时前草草举行了婚礼。　　影片的导演拉克什·仁杰·库玛说，他拍摄这部影片是要捕捉希特勒本性的一面，挖掘使这位“成功的领导者”失去人性的深层次原因。　　库玛先生及影片的制片人认为，尽管希特勒的残酷统治让人难以认同，印度能够获得独立首先应该感谢这位大独裁者，因为他的军队耗尽了英国的军费，使印度得以摆脱英国的控制。

Fusing documentary-realism with magic-realism, and true and fictionalised stories with poetry and dreams, Ghode Ko Jalebi Khilane Le Ja Riya Hoon is a love letter to the syncretic culture of Old Delhi, to its history which is slowly losing itself amid concrete and smog

2007 film by Anil Mehta

片名《Tubelight》的意思来自影片中的一段台词：
“信心就像是一盏日光灯，
点亮它需要花一些时间。
但一旦当它点亮，
它会照亮周围的一切。”

2018年印度的“申奥片”，印度自嘲式喜剧电影，影片由阿米特·玛祖卡尔执导，主演拉吉·库玛饰演一名被委派到冲突地区，完成选举任务的政府职员。在这样的雷区中进行“自由公平”的选举并不是儿戏，他决心定要尽自己的职责。影片与印度以往载歌载舞的影片非常不同，影片没有用歌舞的形式，也讲了一个非常好的故事，根据在柏林电影节看过的网友说，影片“前半部分略有疲软，后半部分渐入佳境。 是一部有担当、有情怀的电影。”

Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.

帮助叔叔经营缝纫机店的青年茂吉（瓦伦·达瓦 Varun Dhawan 饰）乐观开朗，似乎特别乐意取悦他人。在叔叔儿子的婚礼上，茂吉嬉皮笑脸，哗众取宠，这令他的妻子玛姆塔（安努舒卡·莎玛 Anushka Sharma 饰）倍感羞耻和伤心。回到家后，玛姆塔闷闷不乐，以泪洗面，她劝丈夫利用自己裁剪方面的技能自力更生，不要屈辱求存。茂吉不愿重走裁缝爷爷昏暗的老路，可是他似乎也无法再忍受叔叔他们的戏谑。终于在一次争吵后，茂吉愤而辞职。
偏偏此时，母亲一病不起。在妻子的鼓励下，茂吉不再踌躇，他决定经营自己的裁缝摊，从一点一滴做起。一直忙于家务的夫妻二人，也借此机会贴近彼此……

生活对于纳塔（奥姆卡·达斯·马尼克普里 Omkar Das Manikpuri 饰）和布迪亚（拉格胡维尔·亚达夫 Raghuvir Yadav 饰）两兄弟来说并不乐观，由于债务吃紧，他们所拥有的唯一一块土地即将被政府收走。在这样一个节骨眼上，一个糟糕的建议却给了两兄弟灵感。原来，在当地，自杀者的亲属会得到价值不菲的经济支持，这样巨大的诱惑是继续赚钱的两兄弟无法抗拒的。
在一番波折之后，纳塔决定去死。一次偶然中，一名记者得知了两兄弟的计划，之后，他的一篇新闻报道在民间和政界掀起了轩然大波，一时间，纳塔即将自杀的消息人尽皆知。大批的各路人士开始聚集到了纳塔的身边，他们的心中都打着各自的算盘，企图趁此机会大捞一笔。

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.