Legendary New York poet Ed Saxberger's forgotten works captivate an eccentric group of young creatives, reigniting his artistic passion. Their intrigue intertwines with the bewitching presence of actress Gloria.
“Late Fame” “tells the story of Ed Saxberger (Dafoe), who wrote a book of poetry a long time ago that no one ever cared about. When a group of young artists rediscover his work, he must reassess his genius. The wild card in the group is Gloria (Hüller), a talented and mercurial theatre actress who toys with affections and who is all set to be admired by Saxberger, this legendary figure from a gritty New York golden age,” reads the synopsis, which describes the film as “wickedly ironic and unexpectedly poignant.” The film explores the “illusory effect of praise on the soul, and the lingering ghostly presence of the past, whether it’s imagined or vividly remembered.”

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

A Feature documentary on the late Elia Kazan.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.