将探索八位男女(圣女贞德、亚西西的圣方济各、施洗约翰、托马斯·贝克特、抹大拉的马利亚、黑摩西、圣塞巴斯蒂安、马克西米利安·科尔贝)的非凡故事，他们冒着一切风险，体现了人类最崇高、最复杂的特质——信仰。

The Reverend Boughton’s hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past.

马丁·斯科塞斯2023年访问了梵蒂冈，教皇弗朗西斯(方济各)告诉他要在银幕上“向我们展示耶稣”，这“感动”了这位电影制片人，因为他有某种更高的使命。
“我以我所知道的唯一方式回应了教皇对艺术家的呼吁：为一部关于耶稣的电影想象并编写剧本。我即将开始制作它。 ”
在接受《洛杉矶时报》的采访时，斯科塞斯确认他计划在2024年晚些时候开始拍摄他的耶稣电影。影片时长80分钟，主要“以探索原则但不传教的方式讲述耶稣的核心教义”。
“这是一部电影，但它不会是一个直接的叙述，它不会是一部纪录片，它是多种事物的结合。”
电影将改编自远藤周作的书籍《A Life of Jesus》。

Martin Scorsese revisits the Little Italy streets where he grew up, reflecting on how the neighborhood’s people, culture, and daily life shaped his outlook and influenced the stories he would later tell on film.

Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

At the end of WWII, Jimmy Picard, a Native American Blackfoot who fought in France, suffers from unexplainable symptoms and is admitted to a military hospital. When doctors suspect schizophrenia, an eccentric psychoanalyst takes up the case and starts a conversation with the veteran.

A Feature documentary on the late Elia Kazan.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

1999 film by Martin Scorsese

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.