1975 film

Atilla the Hun, Tarkan its power in order to bring the sword to the floor at the pursuit of the enemy's appointed.

After the Byzantine emperor's brother, Knight Alyon, is killed, Knight Andrea swears revenge and decides to take revenge on Battal Gazi. He first kills Ahmet Turani, then raids the village where Battal lives and the banquet hall, killing people. After killing his wife and kidnapping his beloved child, Battal Gazi takes revenge on the Byzantines. Battal Gazi, who had imposed tribute on the Byzantines and inflicted heavy losses with his incredible bravery, suffers an unexpected blow. The Byzantines set a trap for Cengaver, killing his wife and kidnapping his child. By drugging his son and hypnotizing him to turn him against his father, the Byzantines aim to pit father and son against each other. The young child is raised to believe he is the son of the Byzantine Alyon and to seek revenge on Battal Gazi, whom he believes to be his father's killer. Battal Gazi, however, swears to rescue his son at any cost and to mete out the punishment the Byzantines deserve.

Depiction of the life of the legendary Muslim Serdar of Malatya, Battal Gazi.

1988 film by Kartal Tibet

1983 film by Kartal Tibet

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

1982 film by Kartal Tibet

1979 film by Osman Fahir Seden

Kemal is a young man who does all kinds of work to make ends meet and is passionate about football. The young man who makes his living from the hardest, one day finds a baby abandoned on the side of the road. Kemal, who adopted the orphaned baby, raises and takes care of the girl like the baby's father.

1983 film by Kartal Tibet

Şaban is a poor man. In Germany, where Şaban went as a worker, tragicomic events happen.

1986 film by Kartal Tibet

Father of two kids who looks exactly like a rowdy takes advantage of this and go into different and funny events.

Rıfkı, who lives in Germany, returns to his village, which he left years ago, to sell the properties inherited from his late father. A few coincidences that occur upon his arrival in the village lead to his name being associated with the 'Saint' title.

The story of a guard who revolts because of exploiting reeve and tradespeople. People start to think he has an uncle working in the ministry of the interior.