The story of the desperate love affair between a young Samoan chief and a beautiful American painter, against the will of her father, the powerful governor of the island. Amid this man-made tension comes a powerful hurricane so devastating, the lives of the lovers and the entire island are imperiled.

A dark tragedy about a farmer's futile act of homicide that takes place on a small dairy farm in southern Texas during the 1890s. Sam Peckinpah directed this original adaptation of the Katherine Anne Porter novel for ABC, and the project became an hour-long presentation for ABC Stage 67, premiering on Nov. 23, 1966.

Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...

Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex-suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and Frank fight back through stampedes, jealousy, betrayal, and sabotage... they eventually find love.

To obtain a supply of a rare mineral, a ship raising operation is conducted for the only known source, the Titanic.

When a large corporation threatens to take over a small town's primary business and put half of the town's population out of work, sawmill owner Logan Reeser is the only one who can stand in their way.

When an explosion at a top-secret government lab injures an elderly janitor, no one could have expected the terrifying results. Exposure to mysterious chemicals causes him to undergo a bizarre transformation. He is slowly... incredibly... growing younger every day. Now, a ruthless CIA assassin will stop at nothing to take him prisoner and turn him into a government guinea pig. With his future on the line, the janitor goes on the run with his wife and a feisty female agent. All the while, he continues to transform... into a being with powers that are as deadly as they are unimaginable.

Theodore Hickman, a hardware salesman, makes by-yearly visits to Harry Hope's 1910-era waterfront bar for his periodical drinking binges. But on this visit he has decided to try to save the bar's patrons from their "lying pipe dreams."

True story about the tragic nuclear power plant accident in Chernobyl.

A officer with the Joint Chiefs of Staff uncovers a planned military coup of the U.S. government and has only one week to prevent the takeover.

For 50 years radio dominated the airwaves and the American consciousness as the first “mass medium.” In Empire of the Air: The Men Who Made Radio, Ken Burns examines the lives of three extraordinary men who shared the primary responsibility for this invention and its early success, and whose genius, friendship, rivalry and enmity interacted in tragic ways. This is the story of Lee de Forest, a clergyman’s flamboyant son, who invented the audion tube; Edwin Howard Armstrong, a brilliant, withdrawn inventor who pioneered FM technology; and David Sarnoff, a hard-driving Russian immigrant who created the most powerful communications company on earth.

A young American soldier, rendered in pseudocoma from an artillery shell from WWI, recalls his life leading up to that point.

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

Russian nuclear physicist turned political dissident Andrei Sakharov, whose outspoken views on human rights oppression in his homeland brought him not only the Nobel Peace Prize, but also internal exile in the closed-to-foreigners city of Gorky, was the timely subject of this made-for-cable film. It was so timely that its premiere date was moved forward by three months because of Sakharov's widely publicized hunger strike aimed at forcing the authorities to allow his activist wife, Dr. Elena Bonner, to go abroad (for a second time) for a needed operation. A voice-over epilogue brought the film, made in late 1983 in Austria and England, up to date as of its premiere.

A rich man's mistress gets in the middle of a high-society murder in Beverly Hills.

Newly-single mother Anna Dunlop has lived a healthy move in life with her six-year-old daughter Molly. Then, one day, she falls in love with Leo Cutter, an Irish sculptor and craftsman. Leo helps her find passion and fulfillment but at a tragic cost: Molly is soon exposed to their sexual relationship. Despite Leo moxia.cc teaching the curious child the differences of sex, Anna's overzealous ex-husband accuses him of molesting Molly and sues Anna for violating their custody agreement. It all leads to the downfall of Anna and Leo's relationship and a disastrous attempt by Anna to hang on to her love for Molly.

All-star cast glamorizes this lavish 1970 remake of the classic William Shakespeare play, which portrays the assassination of Julius Caesar on the Ides of March, and the resulting war between the faction led by the assassins and the faction led by Mark Anthony.

A naive Amish young woman runs away from her home in Pennsylvania to New York City where she hopes to act in religious stage plays but ends up performing in Burlesque theatre.

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).