The script centres on Marianne, the wife of a wealthy industrialist, envied and admired, model spouse and devoted housewife. She’s about to turn 40 and the comfort of the large family home has slowly closed its merciless trap on her. The prisoner of an inextricable network of social, family and marital obligations, accomplice of her own erasure, she has denied herself, without even realising. And so, when the shadow of her past resurfaces from the shadows, a breach opens. Is another life possible? And at what cost?

Eleanor, thirties, has just lost her father. He bequeathed his house in Brittany in the Cotes d'Armor. She is a photographer, has had some success but business no longer work as before. It is imperative to sell the house. She goes there with Samuel, her former companion which she left some time ago, because she does not feel to go alone and she has not returned since the death of her father. But she is playing with fire - because she knows that their relationship did not exactly appeased, even if it was for some adventures and Samuel lives with Laura. Claire Andrieux, the real estate agent, was busy organizing visits during the two days Samuel and Eleanor will stay in the house. It's a funny weekend that these three are about to spend.A surprising weekend full of surprises, emotions, tensions, memories and shouting matches in melancholy and absurd moments that leave the couple necessarily changed.

Set between Paris and Rome’s Cinecitta’s Studios in the 1970s, a struggling writer seeks inspiration for his second novel, and falls in love with a famous movie star.

One evening, when they come home, Mr. and Mrs. Prioux are astounded to find that a certain Patrick has moved into their place. This strange young man has returned home to his parents in order to introduce his wife.

At the Maison des Femmes, women victims of violence are cared for. Elsewhere, they are threatened, brutalized, raped, mutilated, their suffering ignored. Here, they are listened to, supported, helped and believed. Diane, Manon, Inès, Awa and the others will give them a helping hand until they can stand up again. As a team. Even if it means risking their own equilibrium.

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

Marco Lopez, a former Neo-Nazi and skinhead, tries to leave his violent, racist and hateful past behind him.

Since the age of 16, director Chloé Barreau has filmed her lovers. Living between Paris and Rome, she has snapped photos and made videos of every man and woman she loved. From teenage crushes to long-distance commitments, one-night stands and deep devotions, her cameras captured each affair, suspending that version of each pair forever together on screen. But every relationship has two points of view, so Barreau embarks on a remarkable method of autobiography to tell the full story of herself: she arranges for each of her exes to be interviewed on camera by a neutral co-author, so they can freely describe their versions of her, the woman they loved. Layering these present-day conversations with her rich archives of the same relationship, Barreau constructs an engrossing and thoroughly original history of her heart.

Constance, a 40-years-old real estate agent, gets fired from her job. With no options left, she contacts her former boss, from the small agency where she started her career. To her surprise, he is hiring, but explains he may have already found someone. Constance is convinced she will get the job because of her experience and extensive qualifications. But when Audrey, a younger and prettier woman, is hired instead, it proves too much for Constance to take.

France, November 2015. After the Paris terror attacks, the state of emergency is proclaimed to facilitate the work of police forces. 4 AM. A policewoman helps colleagues to conduct a search, but soon finds out that things aren’t going the way they’re supposed to.
DIRECTOR’S STATEMENT
I believe it is important that films make people look at what we don’t want to face as a society. I wanted to make a movie whose political impact stems directly from the staging, in order to denounce the violence of the permanent state of emergency we live in. A single long take to trap the audience in the sensory and ethical turmoil of a police search.

Simon is an experienced doctor who rubs shoulders with death on a daily basis as part of his job in an intensive care unit. Like any good professional, he has learnt to shield himself from it. But when his mother is hospitalised in a nearby unit, and is in a critical condition, his private life and professional life clash spectacularly. Simon’s whole world, and all his certainties and beliefs, are shaken to the core – even to the extent of re-evaluating his career...

四十出头的克莱尔·安德里厄是个天性阳光、人见人爱的单身女人，直到相熟客户布鲁诺邀请她共进晚餐时，潜藏心底的重大秘密开始浮上水面。法国导演奥利维尔·亚罕对其2015年拍摄的轻喜剧《沙之堡》中一个毫不起眼的小角色克莱尔深入挖掘，从而衍生出全新故事线。影片延续了亚罕诗意、浪漫、幽默的法式风格，表现隐藏在温柔女主时而爆发的疯狂行为背后的可怕创伤，以及她是如何自洽摆脱困境的心路历程。