Three teenage farm boys stumble upon Harry Spikes, a local bandit wounded in a gun battle. While Harry is recuperating, he regales the young men with stories of his exciting past. The adventurous tales inspire them to start a gang of their own. Failing at their first attempt to rob a bank, the boys convince the gruff Spikes to teach them the ways of the desperado.

Two Philadelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?