For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off?

As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more. And always, on his tail, the Five Bald Men.

Though largely silent, the film is interrupted by regular bursts of music, with new songs from Stephen Warbeck, Schubert Lieder sung by the incomparable Mark Padmore, Canteloube aria from the Cevennes, and Try a Lttle Tenderness, amongst others.

As the Fiat 500 wends its way across the mountains, gorges and bridges of France, the 2CV hard behind him, the Thin Man (Ciaran Hinds) comes face to face with the vivid eccentricities of an old country on an old continent.

2006 French film directed by Maïwenn

A director wants to make a documentary about actresses, all actresses: the popular ones, the unknown ones, the intellectuals, the comedians, the forgotten ones... Filming everything, with or without their consent, the director gets caught up in the game and lets herself be devoured by these women, who are as fragile as they are manipulative.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

A woman has a close bond with her beloved Algerian grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.

2003 film directed by Alexandre Aja