Penelope Spheeris presents an amazing chronicle of the travelling musical carnival known as OZZfest, the most successful summer concert tour for the last five years. Complete access to incredible material sends this documentary film into the realm of pure entertainment. Unforgettable moments from zealous religious protesters, outrageous fans and the guys (and girls) backstage provide an insightful view into the soul of white, middle-class America. A stunning and sometimes disturbing glimpse of a cultural movement, this film is sure to be a reference for historians for decades to come. This comment on Middle America skates the line between your worst nightmare and the best time you’ve ever had. Features interviews with, and performances by BLACK SABBATH, SYSTEM OF A DOWN, SLIPKNOT, PRIMUS, ROB ZOMBIE, GODSMACK and more.

The story of how the classic album "Paranoid" was made, with stories from band members to those who were influenced by its content, form and vitality. Paranoid is the second studio album by English rock band Black Sabbath. Released in September 1970, it was the band's only LP to top the UK Albums Chart until the release of 13 in 2013. Paranoid contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 in the UK charts. It is often regarded as one of the most quintessential and influential albums in heavy metal history.

This career spanning documentary on heavy metal legend Ronnie James Dio delves deep into his incredible rise from 50's doo-wop crooner, to his early classic rock days in Ritchie Blackmore's Rainbow, to replacing the iconic lead singer Ozzy Osborne in Black Sabbath, to finally cement his legend with DIO. Ronnie's biography is completely unique to the tired sex, drugs and rock and roll cliches. The film is about perseverance, dreams and the power to believe in yourself.

A documentary series about pop and rock albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music.

Live Aid was a dual-venue concert that was held on 13 July 1985. The event was organized by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the "global jukebox", the event was held simultaneously in Wembley Stadium in London, England, United Kingdom (attended by 72,000 people) and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States (attended by about 100,000 people). On the same day, concerts inspired by the initiative happened in other countries, such as Australia and Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time: an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast.[2