The history of the tragic events of the October Revolution. The period from 1905 to 1924 was a difficult epoch that influenced the fate of people not only in Russia, but also the whole world in the XX century.

The true story is of Ivan Sanchin, the KGB officer who was Stalin's private film projectionist from 1939 until Stalin's death. Told from Sanchin's view, the sympathetic but tragically flawed hero, squirrel, maintains unwavering faith in his "Master" despite the arrest of his neighbors and his involvement with their daughter, his wife's affair with the chilling State Security chief Lavrentii Beria and her tragic decline, and the deadly political machinations within the Kremlin he witnesses firsthand.

Роман Ф.М. Достоевского «Преступление и наказание» получил известность во всем мире. Рок-опера на музыку композитора Эдуарда Артемьева в постановке режиссера Андрея Кончаловского со стихами Юрия Ряшенцева – выдающихся художников современности – никого не оставляет равнодушным, заставляя либо влюбиться до слез, либо яростно спорить о расхождениях с романом. Не стоит ожидать в сценической версии полного воплощения всех героев произведения. Спектакль отличается неповторимым авторским стилем и изобилует проникновенными художественными образами и символами, усиливающими глубину его главной идеи, открывающей путь к светлой, очищающей и всепрощающей любви.

In 1979 Tarkovsky began the production of the film The First Day (Russian: Первый День Pervyj Dyen′), based on a script b y his friend and long-term collaborator Andrei Konchalovsky. The film was set in 18th-century Russia during the reign of Peter the Great and starred Natalya Bondarchuk and Anatoli Papanov. To get the project approved by Goskino, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the official atheism in the Soviet Union. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.

A pretty, young girl from a coal-mining town comes to Moscow with dreams of becoming a supermodel in this satirical look at the fashion industry.

A portrait of a Russian person composed of many images. The film's heroes are common men who answer with their lives the universal questions: what is the purpose of our existence, what is happiness, what is it to be a patriot.

The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!

1943年10月15日，在白俄罗斯边境附近可以俯视涅维尔古镇的一处战略高地上战斗激烈展开，第21近卫师的上士曼殊克•马梅托娃困于面对敌人压倒性优势。在两个机枪阵位和有效的迫击炮火力的压制下，一大波德国步兵冲上高地试图夺取她的阵地。在击毙了70多德寇马梅托娃的头部被迫击炮的弹片击中流血，最后英勇牺牲。
1944年苏联最高苏维埃主席团授予（追授）苏联英雄称号，第一位获得苏联英雄称号的女战士

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This visually stunning Kazakh movie tells a tragic tale of absent and misplaced compassion. A young orphan rescues an orphaned wolf cub and lavishes considerable affection on it. His uncle, believing that this “softness” will result in the boy’s being unable to endure the rigors of life on the Kazakh steppes, savagely beats the cub in front of the boy. By the time the grown wolf is released into the wild, it has grown extremely ferocious and it returns and attacks the boy, perhaps because it perceives him as being weak, just as the boy’s uncle did. ~ Clarke Fountain, Rovi
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When Tolomush Okeev passed away at the age of 66 in late 2001, the Kirghiz Film Studio was renamed in his honor. Which is as it should be, because he was a powerfully gifted and dedicated artist who served his country and its film industry well. Okeev was one of the greatest outdoor filmmakers who ever lived: he deserves a place alongside Jean Epstein and Terrence Malick. Anyone can set up a camera in front of a mountaintop and get a majestic image. But Okeev filmed the Kirghiz mountains and deserts with an intimate knowledge and the keenest sensitivity. The action in his films is always keyed to the landscape in a way that appears effortless, no matter how painstakingly wrought: he knows every crack, every crevice, all the cruelty and all the beauty of a life lived under the open sky. This 1973 film, written by Andrei Konchalovsky, may well be Okeev’s masterpiece. It’s the story of a boy who raises a wolf cub, and learns quickly about savagery of the animal and human variety. No one beside Bresson has understood the essential character of an animal so well. And there are sequences here – a pack of wolves raiding a herd of sheep by night, a wolf hunt on horseback, and the snowscapes of the last section of the movie – that will make your hair stand on end. Warning: the films contains explicit scenes of violence to animals.
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一桩跨国阴谋正在大西洋的两岸默默进行。雷，一个美国的顶尖计算机黑客，在网络的世界里无孔不入。他被俄罗斯的黑帮盯上，被迫来到寒冷的莫斯科去进行一项秘密的攻击计划，彻底破坏银行的通联系统，以获取庞大的利益，但却意外在混乱黑暗的莫斯科黑社会中找回失落已久的忠诚与爱。

贵族青年拉夫列茨基（列昂尼德·库拉金 Leonid Kulagin 饰）对少将之女瓦尔瓦拉（贝娅塔·蒂希基维茨 Beata Tyszkiewicz 饰）一见钟情，两人认识没多久就携手步入了婚姻的殿堂。哪知道瓦尔瓦拉生性风流，婚后迅速打入了巴黎的社交场中，成为了交际花，她的沾花惹草让拉夫列茨基感到非常的痛苦。
拉夫列茨基离开了家，回到了自己的祖国，在那里，他邂逅了名为莉莎（伊琳娜·库普彻柯 Irina Kupchenko 饰）的美丽少女，两人双双坠入情网之中。拉夫列茨基在报纸上看到了瓦尔瓦拉的讣告，于是，他决定和莉莎结婚。可是，就在两人的幸福生活刚刚开始之际，瓦尔瓦拉竟然出现在了他们的面前，原来讣告竟然是伪造的，一切都是瓦尔瓦拉为了引蛇出洞设下的圈套。

意大利电影公司Rai Cinema将制作俄罗斯导演亚历山大·索科洛夫、安德烈·康查洛夫斯基新作。亚历山大·索科洛夫新片，将以非常规的历史为基点，展现斯大林、希特勒、墨索里尼、丘吉尔在二战开始前的虚构对话，揭示他们对人性、世界的看法。安德烈·康查洛夫斯基的新片为传记影片[罪恶](The Sin，暂译)，该片由意大利男演员Alberto Testone担任主演，故事则围绕文艺复兴时期的米开朗琪罗展开。影片将在意大利展开拍摄。与此同时该公司还将制作意大利当地导演加布里埃莱·萨尔瓦托雷斯([有你我不怕])、吉安尼·阿梅利奥([强悍])等的新作。

Assia lives in a small Russian village, populated by useless alcoholics. She sells eggs and alcohol to her neighbors, and everybody is happy. But one day, her hen lays a golden egg, and Assia may have a golden opportunity. Now her life becomes miserable, because of her jealous neighbors.

故事发生于1946年，战争结束了，伊万（约翰·萨维奇 John Savage 饰）从德军战俘营里得到了释放，返回家乡，这里的一切都改变了。伊万一直惦记着他的初恋情人玛利亚（娜塔莎·金斯基 Nastassja Kinski 饰），可此时的玛利亚已经有了男友埃尔（文森特·斯帕诺 Vincent Spano 饰）。伊万并不怪玛利亚，他只是感到难过。
某天夜里，伊万约玛利亚出来，两人终于解开了心结互诉衷肠，之后，玛利亚甩了埃尔，同伊万携手步入了婚姻的殿堂。战争创伤后遗症令伊万无法和玛利亚做爱，这让这对新婚燕尔的小夫妻感到无比郁闷，奇怪的是，当伊万来到瓦伊尼奇夫人（Anita Morris 饰）的床上时，他却又可以了。

Soviet Russia, the Volga, in 1921. Do not have time otgremet battle of civil war, as a new calamity overtook a young Soviet republics. The drought dried up the land of the Volga. Cereal crop failure led to mass starvation. Soviet power was not in a position to help poor farmers.
To save his mother and younger brothers from hunger, peasant boy, Misha Dodonov, along with another Serezhey sent to Tashkent to work. On the way Serguei sick typhoid and remained in the infirmary at a railway station. Further one-way Misha continued. Having experienced many hardships and dangers, exploitative and adult, he arrives in Tashkent. Here he batrachit at vineyards Baia, with difficulty, but the plane from its earnings. With money and several bags of grain Misha returning to their villages. In survivors, he zastaet just sick, haggard mother. Younger brothers and Yash Fedja died of hunger.

让娜（朱莉娅·维斯托斯卡亚 Yuliya Vysotskaya 饰）是一名精神病患者，常年生活在精神病院之中。虽然是病人，但让娜能够演奏非常优美的手风琴乐曲，她的演奏是安抚躁动的其他病患的一剂良药。让娜整日都生活在幻想的世界之中，在她的梦中，加拿大流行歌手布莱恩是她的未婚夫，每一天，她的生活在爱情的喜悦之中。
医院旁边有一条铁轨，呼啸而过的火车声成为了医院里的病人们每天翘首以盼的精神寄托，可是有一天，这列火车没有经过，因为战争开始了。纷飞的炮火让医生和护士们放弃了精神病院，选择了逃难，留下了一群对外界事态发展毫不知情的病人们。

Retired professor Serebryakov and his young wife Yeléna disrupt the lives of his brother-in-law Vanya and daughter Sofya on a rural estate, leading to a crisis of unrequited love, resentment, and disillusionment.

斯蒂芬妮（朱丽·安德鲁斯 Julie Andrews 饰）是一名才华横溢且小有名气的小提琴演奏家，然而，本来拥有无量前途的她却因为多发性硬化症不得不提前告别职业生涯，不仅如此，疾病给她的精神和肉体带来了双重的痛苦，使斯蒂芬妮患上了抑郁症，她不得不向精神病医生寻求帮助。
可是，很快斯蒂芬妮就发现，医生无法带领她走出困境。更糟的是，她的丈夫在如此关键的时刻竟然劈腿了女秘书。深受打击的斯蒂芬妮封闭起了自己的内心，拒绝同外界接触，整天躲在屋子里，躲在回忆和过去的荣光中无法自拔，甚至想到了结束这痛苦的一生。幸运的是，女仆救了垂死的斯蒂芬妮，后者也开始察觉，对待命运的最好方式不是服从，而是反抗。

New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...

远赴吉尔吉斯拍摄，改编艾特马托夫同名中篇小说。影片讲述俄国十月革命结束不久，杜申退役后被派到偏远村庄当老师。但他所信仰的社会主义不被村民接受，他们拒绝让孩子接受教育，甚至趁着杜申进城的时候，将羊群赶进学校。阿蒂奈是一名孤儿，被阿姨领养，对学习有着强烈欲望，并在学习过程中喜欢上杜申了。阿姨却将她强行许配给当地一位很有的势力的酋长。安德烈·康查罗夫斯基曾担任塔科夫斯基的编剧，近年凭借《邮差的白夜》和《战争天堂》两次获得威尼斯电影节最佳导演银狮奖，这部处女作已入选威尼斯电影节的主竞赛单元，并获得最佳女演员奖。