Danièle Delorme — Actor (8)
Minne (1950) [Movie] IMDb TMDB WikiData
Minne, l'ingénue libertine
other title: Die naive Sünderin / Minne, l'ingénue libertine
Minne is a very imaginative young lady. She pretends to have had lovers and can't think of anything better to do other than... to tell Antoine, her husband, the day she marries him. Bad beginning for the couple... As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.
Mitsou (1956) [Movie] IMDb WikiData TMDB
Mitsou ou Comment l'esprit vient aux filles...
other title: Mitsou ou Comment l'esprit vient aux filles... / Mitsou und die Männer
During the First World War, the Empyrée Montmartre, a Paris music-hall, is dedicated to patriotic revues whose star is the charming Mitsou. The young artist is not without talent but she is mainly well-connected. She is indeed the cherished mistress of Pierre Duroy-Lelong, a rich industrialist. One night, thanks to Petite-Chose, an ebullient singer-dancer and her co-star, she gets to know a handsome army, Lieutenant Bleu. Mitsou falls madly in love with him and Lieutenant Bleu is physically attracted to her. The trouble is that Bleu comes from a distinguished family and cannot put up with her lack of culture and artistic bad taste...
Black Dossier (1955) [Movie] IMDb WikiData TMDB
Le Dossier noir
director: André Cayatte actor: Jean-Marc Bory / Danièle Delorme
other title: Die schwarze Akte / Le Dossier noir
In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.
Venom and Eternity (1951) [Movie] Douban IMDb WikiData TMDB
Traité de bave et d'éternité
director: Isidore Isou actor: Isidore Isou / Jean Cocteau
other title: 诽谤言语与不朽 / Traité de bave et d'éternité
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.