Two girls are sent to live in the Australian bush with their hippy father. As they gradually bond, a stranger arrives from a town called Paradise.

在萨勒姆，一场猎巫开始了。

Raised to be seen and not heard, a group of young women suddenly find their words have a terrible power.

As a climate of fear spreads through the community, private vendettas fuel public accusations and soon the truth itself is on trial.

Arthur Miller’s gripping parable of power and its abuse returns in an urgent new staging by director Lyndsey Turner (Under Milk Wood, Top Girls).

Lori and Erin are on the holiday of a lifetime to Fiji. But after a huge fight, Erin never boards their final flight and the plane never arrives at its destination. Months later, no plane has been found, no survivors discovered. Until now.

In the grip of grief following the death of his young son, his marriage on the rocks and nearing bankruptcy, Parker reluctantly returns to work as a private investigator. Embarking on an unusual assignment to observe a woman from an abandoned apartment, Parker witnesses bizarre happenings surrounding her, unaware that the derelict building that he surveys her from has birthed a dark presence which slowly threatens to consume him.

Australian TV series

美国现实主义戏剧的大师阿瑟·米勒在1953年获得托尼奖的《萨勒姆的女巫》是一部至今仍然振聋发聩的杰作。故事根据17世纪北美殖民地时期的一桩“逐巫案”而来：少女们的森林之舞演变成小镇中的“女巫”传言，牧师帕里斯请来“驱魔高手”来协助调查。为求自保，艾比盖尔首先诬陷黑奴提图芭，人为制造的恐慌很快陷入恶性循环，举证者与被控者的队伍成倍增长，每个人都被裹挟进了生死攸关的抉择。这出风格冷峻、文笔尖锐的作品以古讽今，对麦卡锡主义下的政治压抑与邪恶势力进行了无情批判；而作为深刻的人性寓言，它同样在不同文化背景和历史时期中都能找到极强的指涉。
林赛·特纳（Lyndsey Turner，本尼迪克特·康伯巴奇主演版《哈姆雷特》）执导的英国国家剧院新版《萨勒姆的女巫》抓住了扣人心弦的戏剧张力与紧迫感，基于原作的细腻呈现带领观众重返清教徒时代的精神高压；舞台设计师德夫林（Es Devlin）结合白色穹顶，使用昏黄色调简洁有效地营造出熔炉般的感官体验，又在幽蓝色调的人工雨墙中释放情绪；凭借《王冠》中安妮公主一角闻名的艾琳·多尔蒂（Erin Doherty）在本剧中的表演大放异彩，她演绎的艾比盖尔生动呈现出内心的欲望和恐惧。

三个年轻的澳洲皇家海军军官在返回军队服役的前一晚在悉尼呆了一个晚上。萨姆在军队里曾经被虐待过，所以准备趁机当逃兵；迪恩则要急着要跟未婚妻和未来岳父岳母见面；而哈利则只是想大玩特玩一把扑克牌。在这短短一个晚上，他们失去了自己，也失去了彼此—萨姆很爱他的爷爷和妈妈，但是又害怕回去军队后遭到同样的待遇，所以正左右为难；迪恩只想着尽快服完役就回去跟未婚妻结婚，做一个正常人，但却又被过去被上司命令一同虐待萨姆的回忆而深深内疚着。而哈利不但放任自己，原来他在来之前就已经设计陷害了自己上司，然后想着让自己取而代之。这三个关系亲密而又各怀心事的好朋友，最后能否一同克服困难，找回真实的自我，在人生道路上继续前进呢？

在经历了一次郊区的火车事故后，由于这次灾难性的事故，整个社会混乱了起来。一位饱受怀疑而困扰，并忍受着耳鸣痛苦的年轻警察投身到了这次骚乱中。在他身边的人进行着事故的善后处理时，他却在努力清除自己听到的噪音。

On the surface, Jerusalem's Lot appears to be a picture-perfect small town, right out of a Norman Rockwell painting. But there is something evil festering in this Maine hamlet, and it seems to be emanating from the ominous Marsten House. Ben Mears returns to Salem's Lot to wrestle with the demons of his past by writing a book about the town and its inhabitants. As a child, Ben had a horrifying experience in the house that left him emotionally scarred. But Ben soon discovers that he is not the only newcomer to town. An antique dealer named Richard Straker has also arrived to open up a new shop with his silent partner, Kurt Barlow. Before long, strange things begin to happen. A series of mysterious deaths and disappearances eventually lead Ben, waitress Susan Norton, high school teacher Matt Burke and Father Donald Callahan on a quest to uncover the terrifying truth. What they find challenges their notions about the nature of evil, as horrors both human and inhuman threaten to destroy the town's way of life.

In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully and Neytiri face a new threat on Pandora: the Ash People, a violent and power-hungry Na'vi tribe led by the ruthless Varang. Jake's family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.

剧集的故事围绕着两家虚构的英国报社展开。一家是由女主Holly Evans(Charlotte Riley 饰)工作的《先驱报》（Herald）。作为一家老派、左倾且主打严肃新闻的报纸（普遍被英国观众认为影射了现实中的《卫报》），《先驱报》在今天这个网络时代面临着销量锐减、受众缩小等问题。剧中的另一家报社则是主打八卦、民粹新闻的《邮报》（Post）。在主编Duncan Allen（Ben Chaplin 饰）的带领下，该报靠着吸引眼球但又时刻在道德界限打擦边球的新闻不断壮大。

A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.

Set more than a decade after the events of the first film, learn the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

The true story of Australia's cat-and-mouse underground mine warfare—one of the most misunderstood, misrepresented and mystifying conflicts of WW I. It was secret struggle BENEATH the Western Front that combined daring engineering, technology and science. Few on the surface knew of the brave, claustrophobic and sometimes barbaric work of these tunnellers.