A young woman pretends to be a fortune teller in order to find romance.

A young woman from Kansas moves to New York City, becomes highly successful at a prestigious modeling agency, and falls in love with a married man.

A scientist discovers a formula that makes a baseball which is repelled by wood. He promptly sets out to exploit his discovery.

A murderous thief on the run with stolen loot forces a poor rancher to guide him across the desert into Mexico. Accompanying them is the rancher's wife, who happens to be the killer's former girlfriend.

A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter.

Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the payments he has been making to ex-lovers to locate 2 of them, and a third is found by a lawyer in New York, her mother was too proud to accept any money. Sir Basil is a curmudgeon, and his three adult children have a hard time with him at first. Toni, the American, is a free spirit who had a budding career in show business. Jeffery is English and a semi-gentleman, and Maria is Italian, with a Latin temperament. They begin to bond, especially Sir Basil and Toni, whose outgoing personality finally wins over the old man. But past lives begin to creep back into the picture and threaten the old man's plans for a life filled with his children.

While on a fishing trip, Harry Baldwin and his family hear an explosion and realize that Los Angeles has been leveled by a nuclear attack. Looters and killers are everywhere. Escaping to the hills with his family, he sets about the business of surviving in a world where, he knows, the old ideals of humanity will be the first casualties.

Tia and Tony are two orphaned youngsters with extraordinary powers. Lucas Deranian poses as their uncle in order to get the kids into the clutches of Deranian's megalomaniacal boss, evil millionaire Aristotle Bolt, who wants to exploit them. Jason, a cynical widower, helps Tia and Tony escape to witch mountain, while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.

A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.

The murder of a Wax Museum proprietor and some other strange goings-on in the vicinity prompt a police investigator to determine whether the killer is one of the principles who wants to own the museum or if Jack the Ripper has returned to killing after a hiatus of ten years.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

An actress becomes an alcoholic after being jilted. She is aided by an Alcoholics Anonymous member with whom she has an affair; however, he is married.

The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.

"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.

The adventures of a cocky con man and his beautiful accomplice.

An artist grows distant from his new wife as an irrational fear of premature burial consumes him.

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

A patient at a mental hospital kills the head doctor and takes over, replacing the staff with fellow patients. Things get complicated when the niece of the real doctor makes an unexpected visit.

The brilliantly designed, one-of-a-kind film manages to create legitimate speaking parts for six dozen famous actors and actresses. The 1943 production, designed to boost British morale during the War, explores the experiences of a family through several generations. Also written and directed by teams of talented screenwriters and directors, the 106 minute film is remarkably coherent and engaging, and, of course, the steady parade of stars doing their thing (Buster Keaton as an inept plumber; Eric Blore as a smarmy butler, Charlie Ruggles as a concerned father, Claude Rains as a villainous suitor, and so on, and so on) is an utter delight.
The black-and-white source material is somewhat worn down, with numerous scratches and other markings. The image is reasonably sharp most of the time and contrasts are fairly well defined, even when parts of the picture appear grainy. The film’s condition tends to reinforce its wartime origins and does not present an insurmountable detriment to the entertainment. The monophonic sound is adequate and the film is not captioned.