2013 film by Amit Kumar

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

2013 film by Geetu Mohandas

When members of the Bansal family are found murdered, Inspector Jatil Yadav uncovers a trail of greed, betrayal and secrets tied to a deadly conspiracy.

Two contract killer from Uttar Pradesh, Babu Bihari and Banke Bihari who are often paid to bump off the same game, cross each other's path and end up fighting with each other.

When a vulnerable new student finds comfort in her brash teacher, their academic relationship takes a manipulative and troubling turn.

Die kleine Nia ist ein stilles und unsicheres Kind. Nach der Scheidung seiner Eltern lebt das Mädchen gemeinsam mit seiner Mutter bei den Großeltern. Um das Kind nicht unnötig zu belasten, verheimlichen ihm die Erwachsenen, dass Nias Vater Abhay nicht mehr am Leben ist. Ein dunkles Geheimnis umgibt seinen Tod. Seltsame Dinge gehen plötzlich vor, als eines Tages ein Junge, der Nia in der Schule mehrmals gehänselt hatte, tot aufgefunden wird. Als sich um Nia herum weitere mysteriöse Unglücksfälle häufen und das Mädchen mehr und mehr von ihrem abwesenden Vater spricht, ist Nias Mutter Maya davon überzeugt, dass Abhays Geist von seiner Tochter Besitz ergriffen hat. Doch niemand schenkt der verzweifelten Frau Glauben, bis sie ein Priester auf mögliche Abhilfe bringt. Doch diesen Weg hat bisher kein lebendiger Mensch je beschritten.

When terrorists kill a cop's brother and disable his father, he fights back against the smuggling of guns and drugs which plagues his country.

2000 film by Ram Gopal Varma

After the death of his father and brother Danish, Faizal Khan vows to take revenge by destroying Ramadhir Singh's gang.

A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.

《纽约》讲述的是一个友情平衡了一座常被描述为世界中心的城市的更大生活背景的当代故事。Omar（Neil Nitin Mukesh饰）有生以来第一次出国，而透过他美国朋友Sam（John Abraham饰）和Maya（Katrina Kaif饰）的眼光，他很快地了解并且爱上了美国。 　　但是有一天他们周围的世界改变了...... 　　对我们大多数人来说，世界上再大的事件也只是报纸上的新闻头条但是这些事件却可以永远地改变我们的命运。《纽约》就是这样的一个故事，三个年轻朋友的美好的生活被在超出他们控制范围的大事件完全颠倒了。 　　在这个时候Roshan（Irrfan饰）出现了，这位FBI密探针对一系列使这三个朋友陷入这个危险、毛骨悚然犹如“过山车”的情境中的骚乱事件展开行动。

Indian web series

Based on the life of Keshav Thackeray, an Indian politician who is also known as Balasaheb Thackeray.

When a newly married landlord is murdered, a misfit cop’s investigation is complicated by the victim’s secretive family and his own conflicted heart.

电影深度聚焦80年代中期孟买罪恶、混乱的C级片(恐怖、色情)产业。达格尔兄弟是低俗性恐怖电影制作人，他们一般把这类违法电影混在普通电影中出售给观众。显然，年轻女孩们的暴露穿着和性爱镜头是源源不断的市场需求。兄弟俩分工明确，哥哥维奇负责拍片，弟弟索努负责转销和后勤。不过两人的关系一直很紧张，既相互依赖，又相互诋毁。 为了筹资，维奇还利用崭露头角的年轻女演员们为融资者、发行商们提供一夜情服务。一天，索努在工作后遇见了极度渴望进入主流电影圈的神秘年轻女子缤姬。索努想法设法接近她，并向她承诺自己将作为浪漫爱情电影的导演把她捧为女主角。他甚至还从维奇的账户上窃取了为自己拍电影的钱。索努与缤姬彼此坠入爱河。但在他开拍电影之前，维奇认出了缤姬。看似冰清玉洁的缤姬实则与维奇是老相识，那时的她叫索妮卡.....

In 2019, a man named Naveen disappears from a memorial park in Sydney while traveling with his girlfriend Cathy. Having arrived in New York two years ago, Naveen finds a job at a restaurant and meets Cathy there. As their relationship deepens, Naveen's lies become bolder. The man known as Naveen, or Sameer, cannot tell the truth about anything, including his name, nationality, religion, family, and past.

Indian film directed by Sudhir Mishra

英国统治印度的后期，舍希德·汗以传奇人物苏丹那王的名义，打劫英国的火车，被驱逐出瓦塞浦。舍希德·汗逃亡到丹巴德，为煤矿主瑞马德哈·辛格工作，却因此结下了家族世仇。十年后，舍希德·汗的花心儿子沙达尔·汗发誓要为父报仇，成为了瓦塞浦的一方霸主。沙达尔·汗一面在丹巴德与杀父仇人煤矿主瑞马德哈·辛格斗智斗勇，一面又在瓦塞浦与之前的霸主苏丹王带领的库雷希族对抗。旧仇未报，新仇又结...
影片用类似纪录片的方式，在历史的背景下，讲述了三个黑帮集团之间错综复杂的关系。从1940年跨越到2004年，穿插了印度独立、巴印分治、以及印度的宗教派系之间的血腥残杀。瓦塞浦黑帮的所作所为全都印映着历史的痕迹。

In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.