The Jackal is an elusive assassin who makes his living carrying out hits for the highest fee. He soon meets his match in a tenacious British intelligence officer who tracks him down in a thrilling cat-and-mouse chase across Europe.

In the strange limbo of 1940, on a dilapidated hotel verandah perched high in a rainforest above the west coast of Mexico, a group of lost souls collide - a defrocked priest turned tourist guide, the grieving widow who runs the hotel, a family of jubilant Nazis and an itinerant portrait artist with her 97 year old poet grandfather. The result is an epic battle between flesh and spirit, captivity and freedom, art and faith, heightened by a tropical rain-storm.

乔治是一个普通的应用程序开发人员，他突然意识到自己正在重复六个月的生命。很快，他被一个神秘的组织招募，该组织不时逆转时间以防止世界末日，只有几个特殊的人（包括他）能够这样做。一旦他加入团队，就会将他带入了一个充满世界末日威 胁和超级恶棍的高危世界。该团队将共同努力阻止一些恐怖分子引爆核武器、遏制流行传染病、战争核毁灭等，利用他们的智慧和各类技能拯救世界。

The drama tells the story of one of the greatest miscarriages of justice in British legal history. Hundreds of innocent sub-postmasters and postmistresses were wrongly accused of theft, fraud and false accounting due to a defective IT system. Many of the wronged workers were prosecuted, some of whom were imprisoned for crimes they never committed, and their lives were irreparably ruined by the scandal.
Following the landmark Court of Appeal decision to overturn their criminal convictions, dozens of former sub postmasters and postmistresses have been exonerated on all counts as they battled to finally clear their names. They fought for over ten years finally proving their innocence and sealing a resounding victory, but all involved believe the fight is not over yet, not by a long way.

British television docudrama mini-series

East London school teacher Kyra Hollis is visited on the same night by son Edward and father Tom Sargeant. Kyra had been living with the Sargeant family years earlier, but left after her affair with Tom was discovered by Tom's wife, who has since died. Edward now accuses Kyra of having left him as well, as he saw her as a big sister; and he demands to know why she left his life.
Shortly thereafter, Tom, a wealthy restaurateur, with real life references to Terence Conran, appears unheralded and for no apparent reason. Kyra's less than glamorous lifestyle leads him to poke fun at her to the point of insult, accusing her of self-punishment. After Kyra cooks a spaghetti dinner (which the actress actually cooks on stage), the talk turns to their relationship, and it becomes clear that their chances to be rekindled rest on whether one of them can change their preconceived notions of the other.

《奥莉安娜》是美国当代最有成就的作家和导演之一戴维·马梅特20世纪90年代重要的剧作，对其主题的解读应该建立在作者构建的语境基础之上，而不应只着眼于其表层意义。该剧揭示了后现代社会中人们交流的困境：一方面双方渴望理解，另一方面语言被误用和滥用，体现出男女争夺话语权的焦虑。同时，对美国现有的教育制度也进行了无情的抨击。
Act I
Carol, a female college student, is in the office of her professor, John. She expresses frustration that she does not understand the material in his class, despite having read the assigned books and attending his lectures. Of particular concern is a book written by John himself, wherein he questions the modern insistence that everyone participate in higher education, referring to it as "systematic hazing."
While talking with Carol, he is often interrupted by the phone ringing. John is about to be granted tenure, along with a handsome raise. Anticipating this, he is to about to close on a new house, but his wife repeatedly calls with last-minute issues, demanding that he meet her at the home as soon as possible.
After initially appearing insensitive, John eventually decides to help Carol, telling her that he "likes her" and that he also felt similar frustrations as a student. He takes the blame for her not understanding what he is talking about and agrees to give her an "A" if she'll return to his office several more times to discuss the material. At one heated point in the discussion he goes to put his hand on her shoulder to comfort her, but she violently shakes it off.
Finally, Carol has warmed to John and is on the verge of divulging a secret when the phone rings again and John's wife tells him that the realtor problems were all a scheme to get him back to the house for a surprise reception in his honor. He departs for home immediately.
Act II
Carol is back in John's office, but more poised than before. John's tenure is threatened because Carol has filed a formal complaint with the committee, accusing him of being sexist and pornographic. His hand on her shoulder is described as sexual harassment.
John hopes to resolve the matter privately with Carol so that the complaint may be withdrawn from the tenure committee. He tries to understand how his actions could have offended her so and attempts to convince her that he was only trying to help her without any ulterior motive.
Carol will not hear any of his pleas and gets ready to leave. As she does, John stands in front of the door and grabs hold of her. Carol screams for help.
Act III
John has been dismissed and is packing up his office. He has not been home, staying at a hotel for two days trying to work out in his head what has happened. He has asked Carol to speak to him once more and she has obliged.
Carol is even more forceful to name her instructor's flaws. She finds it hypocritical that a college professor could question the very system that offers him employment and gives him an academic platform to expound his views. She also makes references to "her group", which she is speaking for and which seems to be working to oust teachers like John.
In passing, John mentions that he has not been home recently. Carol reveals that if he had, he would have learned that her charges against him now amount to attempted rape. She then says she would be willing to drop her charges if John would agree to her group's list of books to be removed from the university, which includes his own.
With this, John decides to take a stand. He is willing to sacrifice his career to stand up to her assault on academic freedom. He angrily tells her to leave his office as his phone rings again. It is his wife, whom he calls "baby." Carol tells him not to refer his wife that way, causing John to snap. He savagely beats her and holds a chair above his head as she cowers on the floor. The play ends with Carol cryptically saying, "That's right."

Orestes' parents are at war. A family drama spanning several decades, a huge, moving, bloody saga, Aeschylus' greatest and final play asks whether justice can ever be done - and continues to resonate more than two millennia after it was written.

Mary Stuart is imprisoned in England - nominally for the murder of her husband Darnley, but actually due to her claim to the throne of England held by Queen Elizabeth I. While Mary's cousin, Elizabeth, hesitates over signing Mary's death sentence, Mary hopes for a reprieve.
After Mary finds out that Mortimer (created by Schiller), the nephew of her custodian, is on her side, she entrusts her life to him. Mortimer is supposed to give Robert Dudley, the Earl of Leicester a letter from Mary, in which she pleads for help. This is a delicate situation, for Leicester seems to support Queen Elizabeth.
After numerous requests, Mary finally gains the opportunity to meet Queen Elizabeth (something that, in reality, never happened). This meeting ends in an acrimonious argument, caused by Mary's unwillingness to submit entirely to Elizabeth's wish. The argument leads to the inevitable suspicion that the cause of reprieve will not succeed.
To complicate matters further, Mortimer plans to free Mary from the prison by force, a dramatized version of the unsuccessful Babington Plot, but when his attempt is found out he commits suicide.
Queen Elizabeth eventually persuades herself to sign Mary's death warrant. Elizabeth insists that her only reason for signing is the pressure from her own people to do so.
The signed warrant is handed to Queen Elizabeth's undersecretary Davison without any clear instructions on what to do with it. In the process, Elizabeth transfers the burden of responsibility to him, fully aware that he in turn will hand over the warrant to Lord Burleigh, and thus confirm Mary's death sentence.
Burleigh demands the signed document from Davison, who - despite his uncertainty - eventually hands it to him. As a result, Burleigh has Mary executed.
The play ends with Elizabeth blaming both Burleigh and Davison for Mary's death (banishing the former from court and having the latter imprisoned in the Tower), Lord Shrewsbury (who pleaded for mercy for Mary throughout the play) resigning his honors and Leicester leaving England for France. Elizabeth is left completely alone as the curtain falls.

Mary Stuart is imprisoned in England - nominally for the murder of her husband Darnley, but actually due to her claim to the throne of England held by Queen Elizabeth I. While Mary's cousin, Elizabeth, hesitates over signing Mary's death sentence, Mary hopes for a reprieve.
After Mary finds out that Mortimer (created by Schiller), the nephew of her custodian, is on her side, she entrusts her life to him. Mortimer is supposed to give Robert Dudley, the Earl of Leicester a letter from Mary, in which she pleads for help. This is a delicate situation, for Leicester seems to support Queen Elizabeth.
After numerous requests, Mary finally gains the opportunity to meet Queen Elizabeth (something that, in reality, never happened). This meeting ends in an acrimonious argument, caused by Mary's unwillingness to submit entirely to Elizabeth's wish. The argument leads to the inevitable suspicion that the cause of reprieve will not succeed.
To complicate matters further, Mortimer plans to free Mary from the prison by force, a dramatized version of the unsuccessful Babington Plot, but when his attempt is found out he commits suicide.
Queen Elizabeth eventually persuades herself to sign Mary's death warrant. Elizabeth insists that her only reason for signing is the pressure from her own people to do so.
The signed warrant is handed to Queen Elizabeth's undersecretary Davison without any clear instructions on what to do with it. In the process, Elizabeth transfers the burden of responsibility to him, fully aware that he in turn will hand over the warrant to Lord Burleigh, and thus confirm Mary's death sentence.
Burleigh demands the signed document from Davison, who - despite his uncertainty - eventually hands it to him. As a result, Burleigh has Mary executed.
The play ends with Elizabeth blaming both Burleigh and Davison for Mary's death (banishing the former from court and having the latter imprisoned in the Tower), Lord Shrewsbury (who pleaded for mercy for Mary throughout the play) resigning his honors and Leicester leaving England for France. Elizabeth is left completely alone as the curtain falls.

Scene 1
The play opens on 10 April 1809, in a garden front room of a country house in Derbyshire with tutor Septimus Hodge trying to distract his 13 year-old pupil Thomasina from her enquiries as to the meaning of a "carnal embrace" by challenging her to prove Fermat's Last Theorem so he can focus on reading the poem 'The Couch of Eros', a piece written by another character, Mr. Ezra Chater. Thomasina starts questioning why the jam in rice pudding can never be unstirred, which leads her on to the topic of determinism, beginning to develop a theory regarding the chaotic shapes of nature. This however is interrupted by Mr. Chater himself who is shortly revealed to be angry that his wife, Mrs. Chater, was caught engaging in "carnal embrace" in the gazebo with Septimus, and has come intending to challenge Septimus to a duel. Septimus attempts to defuse the situation by heaping oleaginous praise on "The Couch of Eros", a tactic that works, as at this point Chater doesn't realise that it was Septimus who had previously negatively reviewed an earlier work of his, "The Maid of Turkey". Landscape architect Noakes enters, shortly accompanied by Captain Brice and Lady Croom, who then proceed to discuss the proposed modifications to the gardens, with Thomasina drawing a picture of an imaginary hermit (in the biblical style of John the Baptist) onto Mr. Noakes's picture of the garden (with its fantasy hermitage) as he sees it in the future.
[edit]Scene 2
The setting shifts to the present day, with Hannah Jarvis researching about the house, garden and specifically the hermit, for a study centering on Hermits and the romantic imagination. Bernard Nightingale enters, escorted by Chloe Coverley, who fails to impart to Hannah the true identity of Bernard, as he gave Hannah's last book a poor review. Chloe's brother, Valentine Coverley, is doing research into the population biology of the grouse in the surrounding grounds, based on data from the historical "game books". When eventually Bernard's identity is revealed after a verbal misstep by Chloe, Hannah initially reacts angrily but regardless she agrees to share the research material he requested, allowing him to propose his theory that one of the 1809 inhabitants, Mr. Ezra Chater, was killed in a duel by Lord Byron. Bernard notes that records of Chater disappear after 1809; the only other notable Ezra Chater is a botanist.
[edit]Scene 3
The third scene reverts back to the initial timeframe, again in a tutorial session between Septimus and Thomasina, this time in Latin translation. Again the focus of the lesson diverts somewhat, here on to the destruction of the Alexandrian Library, which upsets Thomasina, who mourns the loss of the knowledge contained there, though Septimus's response is that all that is lost will eventually turn up again. The discussion is once again interrupted by Mr. Chater, who once again challenges Septimus to a duel, having finally realised, learning off-stage from Lord Byron, that Septimus was behind the negative reviews of his work.
[edit]Scene 4
Hannah rediscovers Thomasina's primer containing her ideas on iteration and chaos theory, recalling the previous scene's assertion that what is lost is eventually rediscovered. Valentine reacts with interest to this, as his own research in the present day centres on similar areas and concepts.
[edit]Scene 5
In the first scene of act 2, Hannah, Valentine and Chloe are given a preview of Bernard's lecture detailing Byron's supposed role in what he believes was Chater's murder. Bernard becomes agitated when Hannah and Valentine challenge the solidity and logic of his argument, responding by launching into a diatribe about the irrelevance of science, before departing to share the lecture in the capital and make promotional appearances in the media. Hannah meanwhile begins to suspect that the hermit of Sidley Park, who was reportedly obsessed with algebra and the heat death of the universe, the theory suggested in Thomasina's diagram, and who was also born in the same year, could have been Septimus.
[edit]Scene 6
Reverting to 1809, scene 6 reveals that the duel never occurred, with the Chaters instead having departed for the West Indies along with Captain Brice; Mr. Chater is accompanying the expedition as a botanist, and Mrs. Chater as Captain Brice's paramour. Byron has left also. Septimus has killed a rabbit for Thomasina. Septimus returns to find Lady Croom searching for him, after finding two letters that Septimus had written in case he was killed by Chater, one a love letter addressed to herself and the other, written to Thomasina, regarding rice pudding. Lady Croom then invites Septimus to an amorous rendezvous.
[edit]Scene 7
The seventh scene takes place in both 1812 and the present day, with the action of each in the shared setting effectively running concurrently. Furthermore, in the present day, some of the characters are in fancy dress for a party, meaning that the clothes and appearance of both casts are to some extent similar. Chloe is reading newspaper reports on the Byron murder theory as proposed by Bernard, before talking about determinism with Valentine, in a conversation echoing the one between Septimus and Thomasina earlier; Chloe, however, believes that sex is the force throwing off the universe's ordered plan. Valentine uses his computer to further advance the ideas proposed by Thomasina, and discusses the concept of entropy, and whether or not it was Thomasina or Septimus who was the genius behind the theories. Hannah and Valentine mention that "the girl" died in a fire on the eve of her seventeenth birthday.
Meanwhile, Thomasina (who is approaching her seventeenth birthday at this point) asks Septimus to teach her to dance. Lady Croom enters, complaining to Mr. Noakes about the noise of his steam engine, before Thomasina explains that the machine operates under the laws of entropy (not yet propounded at the time) which prove that the universe is winding down. In the present, Bernard arrives at the house where he is met by Hannah, who has discovered evidence, a letter showing the true cause of Mr. Chater's death, that totally discredits his argument and vindicates Lord Byron. While Septimus waits for appropriate music for a dance lesson that Thomasina has asked for, he examines the picture she made to illustrate the irreversibility of heat, an action mirrored in the present setting with Valentine and Hannah also looking at the same diagram and discussing its significance. Bernard is forced to depart having been caught in a compromising position with Chloe. Eventually a waltz starts. Septimus dances with Thomasina, their relationship of teacher and pupil increasingly complicated by hints of romance. Gus—Valentine and Chloe's brother, who has remained silent for the entire course of the play, brings Hannah Thomasina's drawing of Septimus and the tortoise together. This confirms Hannah's belief that the hermit, who owned a tortoise called Plautus, is Septimus; after the death of Thomasina, and faced with her challenge to the laws of the universe as propounded by Newton, he indeed becomes the hermit obsessed with applying "honest English algebra" to the question of the future of the universe.

television series

When soldier Shaun Emery's conviction for a murder in Afghanistan is overturned due to flawed video evidence, he returns to life as a free man with his young daughter. But when damning CCTV footage from a night out in London comes to light, Shaun's life takes a shocking turn and he must soon fight for his freedom once again.

Patrick is a director of avant-garde music videos. Whilst at a UB40 concert he walks into what he believes to be a portable toilet but is actually a matter transportation pod being used for an illegal experiment. As a result his personality is changed to that of a yobbish,Cockney Arsenal supporter. Written by don @ minifie-1

2022 film directed by Oliver Hermanus

Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.

In the final chapter, Lyra, the prophesied child, and Will, the bearer of The Subtle Knife, must journey to a dark place from which no one has ever returned. As her father’s great war against the Authority edges closer, they will learn that saving the worlds comes at a terrible price.

2021 film directed by Terence Davies

2020 film directed by Gavin Rothery

His Dark Materials is set in an alternative world where all humans have animal companions called dæmons, which are the manifestation of the human soul. The series follows the life of young Lyra (Dafne Keen) who is an orphan living with the scholars at Jordan College, Oxford. As in Pullman's novel, Lyra discovers a dangerous secret that involves Lord Asriel (James McAvoy) and Marisa Coulter (Ruth Wilson). In her search for her missing friend, Lyra also uncovers a slew of kidnappings and its link to the mysterious substance called Dust.

Director Otto Bathurst explained that some elements of the book and film had been changed to give the series a more modern feel, compared to the original's Victoriana fantasy.

The series is set to premiere on 3 November 2019 on BBC One in the United Kingdom and 4 November on HBO in the United States and other markets.