One of last year’s great festival successes is an eminently observed psychological drama from a small theatre in Ukraine, where a group of untrained actors come together to interpret scenes from Shakespeare and heal their inner wounds.
A few months before Russia’s invasion, a group of young people gather on the boards to rehearse a play that interweaves Shakespeare’s tragedy of Hamlet with the actors’ own turbulent reality in a country that has been under attack since 2014. And like Hamlet, Jaroslav, Kateryna, Rodion, Oksana and Roman are also grappling with their own traumas and existential questions. From war experiences on the frontline in Donbas to a conservative society’s rejection of one’s sexuality. But on stage, their inner lives can find outlet in a healing process that offers some unexpected breakthroughs until the Russian invasion.
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顿巴斯，乌克兰内战，一系列的黑色故事正围绕着“路”这个意象上演。安全舒适区被挤压得荡然无存，也无法透过重重迷雾看透世事。当众生都囿于如此混乱困境，有人却成功凌驾于他人之上。弱者不弱，若有武器在手——既然已看不到明天，就不能当待宰的羔羊… 沉浸于戏剧和电视领域创作多年后，导演沃洛日比特首执电影导筒，将其擅长的体裁以“准纪录片”形式呈现，用凛冽的镜头戏谑世间，冷眼旁观人类的困兽之斗。