A tough District Attorney goes after a murderous crime gang, only to find that his witnesses, an innocent family, have clammed up in fear of reprisals.

The ruthless Flint, a disabled man, rules an isolated region of Kongo like an omnipotent god, through superstition and sadism, living only for the day when he can get revenge on the man who ruined his life.

Police Chief Jim Fitzpatrick ruthlessly goes after organized crime and is prepared to use brutal and violent methods to fight it.

A official documentary movie about the misson of the US forces on an island of the Aleutians, from which US bombers are attacking the Japanese occupied island Kiska.

A New England fisherman's second wife prefers his son.

宗教偏执狂戴维森神父努力想要拯救风尘女子萨迪·汤普森的灵魂，结果自己却淫欲大发，强奸了她，最终因羞耻而自杀。

The film pivots around the local Norwegian doctor and his family. The doctor's wife (Ruth Gordon) wants to hold on to the pretence of gracious living and ignore their German occupiers. The doctor, Martin Stensgard (Walter Huston), would also prefer to stay neutral, but is torn. His brother-in-law, the wealthy owner of the local fish cannery, collaborates with the Nazis. The doctor's daughter, Karen (Ann Sheridan), is involved with the resistance and with its leader Gunnar Brogge (Errol Flynn). The doctor's son has just returned to town, having been sent down from the university, and is soon influenced by his Nazi-sympathizer uncle. Captain Koenig (Helmut Dantine), the young German commandant of the occupying garrison, whose fanatic determination to do everything by the book and spoutings about the invincibility of the Reich hides a growing fear of a local uprising.

The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.

Mission to Moscow was made at the behest of F.D.R. in order to garner more support for the Soviet Union during WWII. It was from the book by Joseph E. Davies, former U.S. Ambassador To Russia. The movie covers the political machinations in Moscow just before the start of the war and presents Stalin's Russia in a very favorable light. So much so, that the movie was cited years later by the House Un-American Activities Commission and was largely responsible for the screenwriter, Howard Koch being Blacklisted.

In this installment of the "Why We Fight" propaganda film series, we have the account of Great Britain's last stand against the forces of Nazi Germany. This mainly focuses on the desperate, but successful, battle to maintain their vital air superiority over the British Isles and the morale of the people to prevent invasion.

In this episode of the Why We Fight propaganda series, the events from the English and French declarations of war against Nazi Germany to the conquest of France by the Nazi. In detail, we learn of how a combination of innovative Nazi military tactics and the work of traitors allowed the conquest of much of Central Europe.

Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused for robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair...all in the same day.

本片是美国默片时期的名导演D·W·格里菲思晚期拍摄的传统电影，手法平铺直叙，但相当忠于史实。
沃尔特·休斯顿扮演林肯示有精彩的演出；尤娜·默克尔的表演也不俗。

Using diagrams, cartoons and film footage, the film examines Japan's social structure and presents a geographical and historical basis for understanding Japan's and the United States' involvement in the war. A written prologue to the documentary acknowledges the honorable and loyal service of the Nisei (Japanese-Americans) during World War II. Scenes of Japanese ceremonies, industry, city and rural life, military training and combat are shown. The narration traces Japanese ideological history beginning with Emperor Jimmu, the first God-Emperor, whose divine command was "Let us extend our capital and cover the eight corners of the world under one roof." As Emperor Hirohito is a direct descendant of Jimmu, he is recognized as a God-Emperor and idealized as a ruler who governs all areas of life and is revered without question. Shinto is Japan's main religion and affects every aspect of life. For believers, the ghosts of the dead exist on earth to guide the living, and those who died in battle are considered warrior gods. A history of the Japanese warlords and their samurai, whose code of honor sanctioned treachery, doublecross and ambush, is presented. Japan's first unsuccessful attempt at world conquest was made in 1592. The growth of Christianity in Japan around the same time was eventually halted, and the country remained isolated for 200 years until in 1853, when the U.S. extended trade opportunities. Since then, Japan has modernized its technology, reorganized the political structure, and inducted the common man into prestigious military service. Government controlled compulsory education and "thought police," are used to manage the Japanese people. On 18 Sep 1931, Japan launched its campaign and gained control of Manchuria. Since then, it has conquered Manila, Hong Kong, Singapore, Nanking and Corregidor, has attacked Pearl Harbor and has tortured and mistreated its American and Filipino prisoners. By the close of the film, however, the U.S. is launching a successful counteroffensive and is concentrating the full power of its Air Force, Army and Navy to destroy Japan's ability to wage war.

1941年6月学校刚刚放假，乌克兰一个村庄的五位年轻人步行去基辅旅行，途中正遇上德军大举入侵苏联，他们遭到德军飞机轰炸、扫射，村庄被占领。大部分男人逃到小山里参加了游击队，这几个年轻人在村镇上一边与德军周旋，一边冒着生命危险为游击队提供武器弹药...

Newly elected president Judson Hammond is shown to be a lackey of his party, willing to follow the party line even if it's not in the best interest of the people. Showing off by driving his own car to a political meeting, he crashes at high speed. Comatose, he is not expected to recover. But on regaining consciousness, he is a changed man. Dismissing his cabinet and defying Congress, he assumes near-dictatorial powers in order to cut through red tape and institute sweeping measures to reduce unemployment. He even goes so far as to gently threaten nations owing the United States money from World War I to find a way to repay their debts by reducing their arms races. Having brokered this important safeguard for the world's peace, Hammond is stricken down, his work done. Written by Ron Kerrigan

Detailing the conflict between a cynical prosecuting attorney turned warden (Huston) and a green young killer (Holmes), whose stretch in the slammer threatens to destroy not only his faith in life but also his sanity, the taut, unsentimental plot about betrayal and revenge proposes that the convicts' sense of honour and justice is not so very different from that of the authorities: 'Someone's gotta pay' lies all too easily on the lips of both vengeful hard-asses like Karloff and self-righteous perpetrators of the law such as Huston. But there's no facile moralising here; rather, the fast pacing, grimly realistic atmosphere, and superb performances summon up a tragic battle of wits and power in which both sides are equally right and wrong, forced to do what their position in life requires them to, and from which the only way out is death. Hawks' later concerns are in full bloom here - pride in professionalism, loyalty and betrayal within the group, the difficulties facing men forced to live without women, responsibility and respect - and his totally assured style is reflected in the quick, naturalistic dialogue, quirky black humour, and the ability to turn potentially risible set pieces - like Huston's first confrontation with a yard full of riotous cons - into electrifying suspense.