They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.

Risa, after her father's death, discovers she has the ability to communicate with him from beyond the grave. As she explores this supernatural connection, she faces emotional challenges and family secrets that will test her faith in what she thought was possible.

A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.

A married man's death puts his widow and mistress in an unusual living arrangement.

1959 film by Lucas Demare

The daughter of an American marriage in Puerto Rico forces her parents to find a doll that her father mistakenly sent in a box of aid during a flood.

《幼稚园》（Kindergarten），1989年，90分钟，彩色，导演Jorge Polaco。法国亚眠国际电影节评审团奖；布鲁塞尔幻想电影节L'Age d'Or奖，瑞士洛迦诺国际电影节特别提及奖，同年入围柏林影展全景单元。
Story of a complicated plot into a love of intrigue and murder in a family of Buenos Aires. Film never released commercially.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

三个彼此相爱，相依，与死神抗争的女人。住在同一个街区。都是左邻右舍。贝尔拉不断推后自己的死亡。她与她的女儿，还是个小女孩的特伦嘉同住一间房。在临近屋里住着她们一直以来的邻居玛德琳娜。她每天都带着酒，满怀喜悦的跑到隔壁房间，以此来让三人暂时忘记自己悲惨的命运。

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

在一个小镇上，主角费尔南德斯在堂维拉开的五金店里当雇员，他梦想着雇主的死亡，因为他记得有一次堂维拉向他承诺，在雇主死的时候，这笔生意就是自己的了。从那时起已经爱上普拉西尼小姐（Graciela Borges饰演）的费尔南德斯，期待着那一天的来临。费尔南德斯在男性 主导的 五金店和女性主导的普拉西尼一家之间来往，普拉西尼家里只有母亲、女儿和一个白痴儿子，因为父亲已经死了。这两个女人既想留下又想离开，既害怕留在家里又害怕外面的世界。（豆瓣字幕翻译2.0小组）

2001 film by Lucrecia Martel