Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.

An elderly retired couple teams up with young partners to plan a daring bank robbery, while trying to outwit a detective determined to stop them.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

Identical twins Iara and Marilena like to play games and deceive men by pretending to be each other. But when they fall in love with the same man, a rivalry with devastating and horrifying consequences begins.

Redentor is a surrealistic tale of greed and corruption in the chaotic Brazilian society. It seems to be inspired in the real case of the scum Brazilian constructor Sérgio Naya, and anyway is based in many elements of our very unfair society where justice rarely works in situations like showed in the movie. The story is amazingly good, with the exception of the conclusion, which gives a religious connotation to the plot, being corny for my taste. The performances of Pedro Cardoso and Miguel Falabella are spectacular as usual, and the whole cast has also great acting.

Inspired by a real woman, who filmed for two years, hidden, the routine of drug dealers on Ladeira dos Tabajaras, in Copacabana, in 2004. At the time, the material was passed on to the police, who opened an investigation and carried out an operation that resulted in in the arrest of more than 30 people, including military police involved with the gang.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

The (mis)adventures of João Grilo and Chicó in Brazil's Northeastern region. The four-chapter miniseries original version of O Auto da Compadecida.

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

In the early 1970s, the military dictatorship in Brazil reaches its height. The Paiva Family - Rubens, Eunice, and their five children - live at a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.

影片改编自巴西著名作家吉马朗埃斯•罗萨的短篇小说，讲述了一个名叫奥古斯托的破产农场主，此人性格暴烈，在米纳斯州荒原的农场上凌驾于法律之上。他被仇敌伏击几乎丧命。重生后的奥古斯托希望凭借信仰和勤苦工作获得救赎。几年后，他结识了有权有势的地方一霸约翰尼•宾宾以及他的一帮手下。这段新的友谊所引发的一系列事件将影片推向高潮：正义与邪恶迎来了最后的角逐。

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

Regina, a lonely 65 year old who works on the neighborhood watch for the police in Copacabana, believes to have witnessed a murder in the building across the street, and ends up getting involved with the suspect in a potentially dangerous chain of events that will force her to take stock of her life.

Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.

第31届夏季奥林匹克运动会，又称2016年里约热内卢奥运会，将于2016年8月5日-21日在巴西的里约热内卢举行。里约热内卢将成为奥运史上首个主办奥运会的南美洲城市，同时也是首个主办奥运会的葡萄牙语城市；此外，这次夏季奥运会也是继2014年世界杯后又一巴西体育盛事。
北京时间2009年10月3日凌晨，国际奥委会第121次全会在丹麦哥本哈根进行，在2016年夏季奥运会主办地票选里，巴西里约热内卢通过三轮投票击败西班牙马德里，获得2016年第31届夏季奥林匹克运动会的举办权，这也是奥运会首次登陆南美大陆。
2009年10月2日，里约热内卢通过三轮投票击败西班牙马德里、美国芝加哥和日本东京，最终获得2016年第31届夏季奥林匹克运动会的举办权。
2016年6月14日，国际奥委会主席巴赫宣布里约奥运会口号“一个新世界”。

“我已经经历了我的死亡，现在剩下的就是拍一部关于它的纪录片。”当海科特·巴班克意识到自己所剩时间不多时，他这样对芭芭拉·帕斯说。她接受了挑战，完成了已故伴侣的最后一个愿望：成为自己死亡的主角。这部作品温柔地潜入巴班克，这个南美洲最伟大的电影人之一的生活中，他在亲密与病痛的交织下有意识地袒露了自己的灵魂。在活跃的思想与虚弱的身体之间的对峙中，他表达了恐惧与焦虑，也表达了回忆、反思和奇想，种种有关他职业生涯中的标志性瞬间。从38岁患癌到70岁去世，巴班克把影像当成了他的良药，也是支撑他生存的营养剂。《巴班克：当我死时告诉我》是芭芭拉·帕斯的第一部纪录长片，在某种程度上，也是海科特的最后一部作品：一部有关影像的影像，是永恒不灭的。

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

剧情介绍：
1910年，在巴西的马腊尼昂，心智有些“走火入魔的”瓦斯科买下了远方的一大片荒漠，他希望过上远离文明社会的生活，终生与沙丘作伴。在瓦斯科的一味坚持下，尚在怀孕的妻子阿丽娅和阿丽娅的母亲玛丽亚也不得不跟随搬迁到那片人烟稀少的荒漠。
生活刚刚安顿下来，一群黑人便造访了这里，他们打算抢劫瓦斯科，瓦斯科只好用自己的部分家当打发他们。生活开始每况愈下，工人们纷纷离去，而瓦斯科后来也悲惨的死去，只剩下两个孤苦无依的女人和命运未卜的胎儿。
在一位前黑奴后裔马苏的帮助下，母女俩终于找到了谋生的渠道。随着女儿玛丽亚的出生，阿丽娅的苦难生活仍在延续，她希望有朝一日能回到城市，而这希望也在日复一日的煎熬中越发渺茫，以至最终变为随遇而安。
一次，阿丽娅发现远处有座外国科学家进行天文学研究的营地，在那里她与路易兹邂逅，两人共度一夜。而当第二天阿丽娅回去寻找母亲和女儿时，却发现流沙毁掉了住处，母亲不幸遇难。
善良的黑人马苏早就爱上了阿丽娅，只是远远的关注着母女的一切。多年后，玛丽亚长大成人，她见到了返回此地的路易兹，也知道了他同母亲的关系，阿丽娅要女儿同路易兹一同回到文明世界，而她已经不再向往，因为半生的风蚀已经让她无法理解遥远的文明……
其他介绍：
电影来自巴西，导演名字叫做安德鲁卡·瓦丁顿（Andrucha Waddington），这是他去年的作品，新作将是和安东尼奥·班德拉斯合作讲述西班牙历史。女主角之一费尔南德·蒙特纳哥（Fernanda Montenegro）的名字更让人熟知，是巴西最着名的女演员，曾凭《中央车站》获奥斯卡最佳女主角提名。
电影是一个充满寓意的现代故事：二十世纪初，一个「拓荒者」到达大漠一幅早「买下」的土地后，却突然因塌屋意外死去，留下已怀孕的妻子奥莉和她母亲。碰上逃到沙漠避难的「黑奴」，母亲顿明白「自主」生活的重要，意决留在世界边沿一辈子，也不愿回到以前被剥削权利的「文明环境」！奥莉本来一直想离开，回到昔日风烟文化之地。自女儿出世后便终日伺机「回到文明」的日子，阴差阳错，遇上自然灾祸，母亲长埋沙丘，却因此辗转与义助的黑人暗生情愫。最后女儿适逢碰上与自己在荒漠有过一面之缘的「旧情人」，正有大好机会回到城市，自己却决定留下与情人厮守「沙之屋」，让反叛的女儿离开。多年后女儿步入中年，回到昔日沙居探望已老迈的奥莉，二人一夕「月亮的对话」，道出了西方社会自早期在美洲拓荒到整个二十世纪经历战争和科技发展背后寻梦的荒谬。女儿向母亲说及荒漠外的世界已有人登陆月球，母亲好奇的问：「他们在月球找到甚么？」女儿苦笑回答：「很多沙 ......」
所有的画面都是实景拍摄，外景地是巴西着名的“马拉尼昂被单”国家公园，不仅有柔软“沙躯”让人深陷其中，更令人惊奇的是在各式各样的沙丘内，竟然还隐藏着如海一般湛蓝的大湖泊。看到其中一个沙与湖各占1/2蓝白分隔的场景时，才知道敦煌的“月牙泉”实在是不值一提。一半是沙漠，一半是海水，两种都是可温柔万种又可霎时风云变色的两面体，不和谐的共处更有特别的魅力。影片每一个画面都不用雕琢便已成美景，大量的全景、航拍和长镜头，似乎是在单调的重复，但却始终看不厌。

An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.