Revolution has stirred, China has stood up and Communism reaches Rotten Peach Village. Anders Lustgarten's epic new play, based on almost a decade of study, is about the ambition and unity of people who didn't know what they had to lose.

“One day all foreigners will rely on China for everything. We’ll make everything for them, and they’ll come here in their millions. You’ll see.”

Decades after Communist revolution, China is transformed. What does it mean – and how does it feel?

For the first time since Lampedusa, award-winning playwright Anders Lustgarten (Shrapnel: 34 Fragments of a Massacre) and HighTide director Steven Atkinson (peddling) reunite for a breathtaking story about the makings of a superpower.

Based on almost a decade of study, The Sugar-Coated Bullets of the Bourgeoisie is an epic and timely new drama about people, power and possibility.

After his life is turned upside down when his wife is killed in a London terrorist attack, a brilliant but introverted CIA decoder takes matters into his own hands when his supervisors refuse to take action.

When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El, aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.

讲述一名中央情报局密码专家的妻子在伦敦一场恐怖袭击中丧生，他要求上司追捕凶手，但由于相互冲突的内部优先利益无法成行，于是他胁迫该机构训练他本人，自己展开行动。

Dom and Yas’ paths collide at the least opportune time: when Dom (David Jonsson) is ugly-crying in a toilet stall, steeling himself for an awkward meal with his ex, who cheated on him with his best friend. Nursing her own breakup wounds, freewheeling Yas decides to jump headfirst into the fray to lessen the sting as Dom’s date. What follows is a day of impulsive and joyous mayhem, as these two twenty-something Londoners roam Peckham through karaoke bars and playgrounds, all the while inching towards the possibility of opening their hearts again.
For her visually inventive feature debut, director Raine Allen-Miller launches us into a playful and vibrant world, shaping a romantic comedy that celebrates meeting the right person at the wrong time. Nathan Byron and Tom Melia’s fresh characters leap off the page at breakneck speed in the hands of Oparah and Jonsson, channeling all the frustrations of swiping fatigue while holding onto the hope of finding the real deal. Much like its namesake in the beating heart of South London, Rye Lane is irresistible.
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