A bank clerk is given an unusual retirement gift, a high class call girl. Unaware that he has been 'set up' by colleagues the man goes with the girl to Venice where he enjoys his new found virility.

They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.

A self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.

L'action se situe, comme le titre l'indique, dans un palace ou grand hôtel. Des saynètes humoristiques sans queue ni tête s'enchaînent tout au long de l'émission dans différents lieux du palace (cuisine, réception, ascenseur, chambre etc.)

Fifi Flores是一个成功喜剧的主角。一切似乎都很顺利，但突然间，编剧兼导演成为一个阴谋集团的受害者。他决定重写他的剧本，从而引发了一系列灾难。

Pierre is a hotel cashier in Vichy, so shy that he answers an ad from the Psychology Institute and can't say no to the salesman, Aldo; he spends 6,000 francs on tapes, books, and a punching bag. Soon after, he's smitten by Agnes, a hotel guest with a model's looks and photographers wherever she goes. When she leaves for Nice, he follows, meeting Aldo on the way. Aldo becomes his boldness coach. Pierre gets a job washing dishes where Agnes is staying, but after a week or so, she's off to Deauville, with Aldo and Pierre in pursuit. Using funds they get by selling Aldo's car, this time Pierre poses as a polo-playing jet setter. Will this win the heart of Agnes?

1991 film by Jean-Marie Poiré

Selon "Radio plus près de Dieu", rien n'est conçu sans Dieu, surtout pas les shampoings, produits de beauté, la vente des disques... Un animateur dénonce cette escroquerie à l'antenne, ce qui lui vaut d'être licencié. Il réapparaîtra sur de nouvelles ondes avec "Radio plus près de la Vérité".

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

Darien, a left-wing police informant, is forced to lure his old friend Sadiel to Paris, allegedly to film a television special about the Third World. Sadiel, the exiled leader of a North African state, is being hunted by the ruthless Colonel Kassar, who will stop at nothing to capture his political rival. Once Sadiel arrives in Paris, Darien realizes he has been manipulated. He tries to turn back the clock, not realizing what or who he’s truly dealing with.

大西洋利比里亚海岸。一艘货船以上帝的名义让当地的黑人免费装上一船椰子，椰子运到德国汉堡，船长接到一项特殊的使命，要带150名犹太人去亚历山大 港。船长亲眼看到党卫军枪毙了一个犹太人。船长带着船驶向大海，圣诞夜，船长带着犹太的孩子们欢快的唱歌，跳舞，还燃放了烟火。船到了亚历山大港，意外发生了，这150名犹太人被认为持假护照，荷兰领事馆拒绝难民上岸，他要让船长把船开回汉堡，两小时以内离开码头。船长知道只要回到汉堡，这些犹太人一定是死路一条，船长坚决不同意返航。那么，船要驶向何方呢？船长受到圣约的启示，决定向美洲进发，他说：我看那里有没有人可以救他们，如果失败了，我从此就臣服于魔鬼。船到了美国海岸，船长期待上帝派天使来拯救这些犹太人，可上船来的巡逻兵却把船赶出美国海域。为了150人的生命安全，船长把船上的人用救生小船送上正在比赛的帆船队，自己放火炸掉自己的货轮，难民会因船难被接收，可船长只能远远地看着自己的船慢慢沉入海底。
本片中船长的角色塑造非常成功，他颇具性格特色的台词格外出色，关于上帝的对话尤为精彩。

故事梗概：
巴黎的春天阳光明媚景色宜人。驱车行驶在通往凯旋门的香榭丽舍大街上，来自英国的埃德加爵士和他的儿子乔恩，被大街上漂亮热情的法国女郎所吸引。跟在一辆载着一位红裙美丽女郎的摩托车后面，埃德加爵士显然有些忘神，是忌妒的骑摩托车小伙子给了爵士和他儿子表现绅士的机会。
埃德加爵士此行巴黎，目的是在儿子服役之前探望老朋友维科勒将军。红裙女郎被突然启动的摩托车甩下来后，埃德加爵士和儿子乔恩将她请上自己的名贵的劳施莱施轿车，礼貌地将名叫丽赛特的美丽女郎送到她工作的商店。下榻酒店的当晚，维科勒将军带着女子维克托、女儿苏珊前来看望。
老朋友久别重逢，自然少不了热情的寒暄。寒暄中，埃德加流露出请老朋友给儿子找一个女朋友的意思。有趣的是，父亲在请老朋友帮忙的同时，儿子乔恩正在另一个房间里拜托维克托能帮他给自己42岁的父亲找一个女人，毕竟母亲去世多年，毕竟他即将离开父亲，参军服役。
埃德加和乔恩父亲的请托在维科勒父子那里很快得到落实。维科勒按照埃德加的意思，准备将在商店工作的丽赛特介绍给乔恩，而维克托则打算将杂志女郎茜尔维娅介绍给他的伯父埃德加。有道是“无巧不成书”。在约定的小瀑布公园，埃德加、维科勒、丽赛特、维克托、乔恩、茜尔维娅之间发生了一场误会，误会的结果是丽赛特中意于埃德加爵士，而徐娘半老的茜尔维娅被乔恩青春激情所吸引。
误会难以解释，因为走到一起的男女相互吸引，夹在中间做牵红月老的维科勒父子也只好任由发展。此时，关心女儿婚姻大事的丽赛特做出租车司机的父亲再掺和进来，使得一场原本由误会导致的巴黎寻爱经历，充满了啼笑皆非，直到临别前在维科勒将军家聚会，丽赛特暴露出爱慕虚荣的本性，最终成就了埃德加与茜尔维娅、乔恩与苏珊的甜美爱情。
精彩视点：
本片是英国1955年出品的一部作品。影片中，英国人的绅士风度和法国人的浪漫情怀，共同成就了这部英国“乱点鸳鸯谱”式的爱情喜剧。
导演罗伯特·哈默1911年3月出生于英格兰。从1938年开始主演电视作品，到1963年4月去世中间的25年里，罗伯特·哈默担任主演、编剧、导演、制片的作品30余部。其中，宫闱情仇片《仁心与冠冕》(KindHeart(听歌)sandCoronets)是罗伯特·哈默执导的优秀代表作品之一。该片中，罗伯特·哈默用轻松的笔调、倒叙的手法，述说一则跌宕起伏的深宫秘闻，凭借主演亚历克·吉尼斯人如其名的“吉尼斯级”演技，使得该片毫无悬念地荣登英国电影十佳作品。本片中“埃德加爵士”的扮演者阿历克·奎尼斯更是一位多产丰产的演员。从1934年到1996年，大半个世纪中，阿历克·奎尼斯如同一棵演艺常青树，给世界影坛奉献了多达70余部的电视、电影、电视电影。

When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

Newlyweds Edward & Caroline are preparing for an important evening when a quarrel over Caroline's dress sets off a series of domestic brouhahas.

1984 film by Claude Chabrol