A computer programmer decides to become a thief. And when he starts making waves, an insurance investigator hounds him. He also meets a woman who becomes his accomplice.

Manna From Heaven is a comedic fable about what happens when you get a gift from God (a financial windfall), but many years later you find out it was a just a loan and it's due immediately. Once upon a time, many years ago, a neighborhood in Buffalo, NY is mysteriously showered with 20 dollar bills. Theresa, a young girl who everyone thinks is a saint, doesn't have much trouble convincing her loose-knit "family" that the money is a gift from Heaven. Years later, Theresa, who has become a nun, has an epiphany that it is time to pay the money back, so she calls the eccentric group together to repay the "loan." The problem is, nobody wants to give back the money, nobody has the money, they don't know to whom it belongs, and most of them can't stand each other. Along the way, the characters learn about family, romance, reconciliation and redemption, and by working together they begin to realize their full potential.

A detective investigates a murder, only to find that the victim is... himself. Soon, he discovers multiple versions of himself, not all of them friendly.

Brett is a high-school outcast who doesn't run with the in crowd, unlike Samantha, the cheerleader he has a desperate crush on. Then one day, he gets a parcel in the mail -- a totem with the power to grant his deepest, darkest desires. Brett wishes for Samantha to love him, and she does, although after a while her affection starts leaning toward obsession. Then murders start occurring in the school, which Brett gradually starts to connect to the totem.

When lawyer Charlie is sent to a small Nevada town to file a continuance request for a client, his actor friend Richard turns up to throw a surprise bachelor party celebrating his upcoming marriage to the boss's daughter. When Charlie is too hung-over to make it to court for the hearing, Richard fills in, inadvertently committing felony fraud, and Charlie is left with no choice but to coach the clueless Richard through the whole trial.

A former pro-wrestler is hired to be the bodyguard/nanny for a couple of bratty kids whose inventor father is being stalked by a rival.

It’s Harold Blodgett’s birthday, and the poor guy’s having a rough time of it. The alarm clock won’t shut off, his wife won’t wake up, the cleaner’s neglected to get that annoying stain out of his trousers, and so on. To cap it off, when he returns home from the office that same day, he finds a mysterious pair of shady characters lounging around his apartment. According to them, Harold hired them to murder his wife, and they’ve done just that. Have they? Did he? What’s going on here?

How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.

This evocative faux documentary imagines a dystopian near future in which the government monitors every woman's sexual activity. At its center is Allison Golding (Ali Thomas), serving a life sentence for having an abortion. As politicians, journalists and other key figures discuss Allison's case, they reveal how American society reached this totalitarian state.

Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

In The Minutes, Tracy Letts’s scathing new comedy about small-town politics and real-world power, the writer who brought you August: Osage County exposes the ugliness behind some of our most closely-held American narratives while asking each of us what we would do to keep from becoming history’s losers.

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

Brilliant mathematician, John Nash, is on the brink of international acclaim when he becomes entangled in a mysterious conspiracy.