The lover of a ruined actor announces that she is leaving him to marry someone else; while a young woman becomes the subject of various rumors after denouncing her boyfriend for violence.

Su-an, a performing arts high school student, becomes close with Seol, an actress and celebrity. During a trip, they realize that they have feelings for each other. However, misunderstandings pile up too much, and Seol leaves Su-an. Su-an later becomes an actress and returns to the winter sea, longing for Seol.

Jay, a promising young writer, is publishing her new book, while her boyfriend Geonwoo, who teaches at a private language school, is tipped for promotion. They love each other, take care of each other, and have a great rapport. Until an unplanned pregnancy throws them off course. They didn’t want a child and starting a family would jeopardise their career prospects. Yet who’s to have the last word if they can’t agree on a solution to the situation? The Korean director presents a tale eclipsed by a sense of dejection in a subtle portrayal of a couple arriving at a crossroads in their life together. When else should one break the taboos of parenthood and the preconceptions of motherhood than when a woman’s right to decide what happens to her own body is again called into question.
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Hye-jeong works in a factory on the outskirts of the city. All she wants is to live alone in peace. One night, however, she finds she has become a ghost. As a ghost, she goes back in time, day by day, and tries to keep out of harm’s way.