1965 film by Giorgio Stegani

When a crime boss sends out his thugs to terrorize an entire city, they do whatever they want, which includes anything from petty theft to robbing the police station in broad daylight. Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a "poliziottesco" film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).

Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.

Secret Agent Francis Coplan, is given the task of finding priceless artwork stolen by the Nazis' in 1943. The trail leads to Mexico, where Coplan challenges a "secret" organization in order to re-gain the paintings.

Charlo and Carla are on their honeymoon. She is three months pregnant. He, furious about his marriage of convenience, recalls the past and ponders on The Garden of Earthly Delights by Hieronymus Bosch, dear to the Surrealists. While she is bleeding, he spends the night with a beautiful stranger...

A young hippie kills a man, and seeks refuge at the lakeside house of three beautiful sisters, who seem to be hiding a dark secret.

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli & Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.
Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.
All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…

新婚夫妇前往日内瓦欢度蜜月但丈夫自杀的前女友似乎阴魂不散地跟着他们...

”Candelabra-bearing Evelyn Stewart and her guests have a procession through an old basement filled with festive costumes and spirits of death.“

1969 film by Enzo G. Castellari

故事讲述了商人伯莫死亡，推测他的死因是由于飞机失事，他的妻子丽萨因此发财。保险公司开始对此事进行调查的时候，他们开始怀疑丽萨。他们派出调查员彼得去确定丽萨说的是否属实。后来丽萨死亡，保险金不见，一个又一个的人因此受害，大家将会看到调查员彼得将如何完成自己的任务。

1960 film directed by Federico Fellini