Three episodes. Episode 1 - The Refrigerator (Monicelli). A married couple of two poor emigrant workers spend almost all their money to buy a refrigerator (a must in the '70s). The purchase is too expensive for their family balance sheet. To earn some money they decide to go for prostitution. The wife is not so unhappy to the perspective. Episode 2 - The Room (Sordi). To celebrate ten years of marriage a couple decides to spend a quick holiday in top luxury hotels in Sardinia. But the fashion luxury VIP world is too hard to enter; they soon will end in prison. Episode 3 - The Lion (De Sica). Two adulterous, Antonio and Giulia, are blocked by a lion, staying on the exit in the place they met. They both have to come back home, but couldn't move because of the lion’s presence. The critical situation soon drives them to their limit, revealing their real essence.

1956 film by Mario Monicelli

During a police raid at Villa Borghese, the agent, a widower named Antonio Caccavallo, stays to get better acquainted with the young Carolina.

During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...

In 1944 Tuscany, a group of boxers struggling through World War II stages rigged matches to earn money and travel, accompanied by a missing black American soldier and a girl resisting marriage, as they navigate the challenges of their war-torn world.

Relatives brawl over the estate of a deceased grandmother who owned an insecticide factory.They stop at nothing, including bumping each other off.

50 year old Giulio and his 17 year old goddaughter, Vincenzina, fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and Vincenzina upon a return from a trip. His jealousy and anger get the best of him and he kicks his wife out of the house. Years pass and Giulio decides to rekindle the lover affair with Vincenzina.

Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!

1987 film by Mario Monicelli

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

Like every year, everyone is going back to the ancestral family's home for the Christmas holidays. But this time, the old folks have a surprise, a good surprise for them. They have decided to go living with one of their children and make him or her inherit the family house.

讲述的是一名军队士兵在朝不保夕的情况下，在美女身上寻求欢愉的风流情事。

In many ways, 'I Nuovi Mostri' is an extension of Dino Risi's film „I Mostri”. However, its episodes were shot in color whereas the original "Monsters" film was shot in black and white. Most episodes of this film are about human nature especially shortcomings of people which reveal a negative facet of their lives. There are also episodes where the spotlight is on revealing the hypocrisy present in modern society due to strange rules and regulations. For example: an episode features an injured man who cannot be admitted to any hospital as there is no more room in a general hospital, no medical service after 23:00 in an hospital run by nuns and only military personnel with proper identification papers can be given treatment in a military hospital. Italian film 'Viva Italia'! is also known as "I Nuovi Mostri". It is the tale of new Italian monsters who represent weaknesses present in an average Italian. These people have been called "monsters" as their personal interests are always on top of their minds. These are the people who do not hesitate a bit in order to ensure their happiness at the cost of their beloved ones. An excellent film for all those cinema admirers who wish to learn more about Italian way of living.

Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.

Set in the weeks just prior to Christmas, the story focuses on the Yuletide preparations made by five different families. The humor derives from the communication gap between the elder family members and their bewildering offspring. The powerhouse cast is headed by Vittorio de Sica and Marcello Mastrioanni.

On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs into an old acting acquaintance (Toto), who is helping a professional pickpocket (Ben Gazzara) steal from people during the hustle-bustle of New Year's Eve festivities. During the course of the evening, they have numerous crazy, humorous adventures all over Rome at different parties, restaurants, and even the Trevi fountain. Magnani's character (Tortorella) falls for Gazzara's character (Lello) without knowing what he's up to, while Toto tries to placate them both. Written by Miriam Kramer