It's Independence Day in Lebanon: three women who've never met before are on the same bus heading to visit a prison situated in a remote area of the country. Traveling through an arid landscape littered with mines and decapitated dreams, the journey transforms into the women's quest for their own independence.

2011 film by Danielle Arbid

Inspired by the photographic travels of Antione d'Agata, Danielle Arbid's worldly drama follows a French photographer who travels the globe to seek out the most extreme experiences imaginable. Thomas is a fearless shutterbug who's always willing to put his life on the line for the sake of a good shot. Upon falling under the spell of an enigmatic old man named Fouad Saleh, the photographer travels to the Far East in hopes of uncovering the secrets of the man who can no longer recall his own past. As the photographer soon finds out, it's often the most innocent endeavors that yield the most profound and transformative results.

The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.

Arzé, a single mother, takes her teenage son on a journey across sectarian Beirut in search of their stolen scooter, their only source of livelihood.

2006 Lebanese film by Michel Kammoun

40岁的齐科是一名刚刚出狱的赌徒。他和他的发小们来自贝鲁特的中下层阶级，为获得更好的生活而艰辛奋斗。对他们而言，在一个处于战争和破产边缘的国家中，生存本身就仿佛是一场赌博，而日常生活同俄罗斯轮盘赌般无常。

又玩失忆？唔好啩。坏人失忆变好人，仇人失忆变爱人，爱人失忆成陌路人，今时今日影迷失忆怕怕。夹在《山》及《河》中间的第二部曲旧瓶盛新酒，中东新美学向言情奇情说拜拜，沙赫只是将失忆汉子放在黎巴嫩淼无人烟的贝卡谷，再交到法外之徒手上。他策略有两个，全程拍人在处境，没有全知解话，其次超敏感声效协助叙事，是隔绝环境中耳朵之旅，听到看不见的战机，也听到心跳。神奇是这样子战争背景十足张力的剧情，竟然不是荷里活的气味，摩登诗意取代一切老土的可能。

On a beach in Beirut, Lili and Michel meet… or maybe they are coming together again. An unlikely couple caught between two different eras, between a future and a past that seem possibly interchangeable, they are trying to establish what is an ambiguous memory: that of a terrorist act, an explosion and the loss of a child, Elena. The voice of a Japanese narrator adds a further layer of complication to their scrambled memories in evoking his own past in war-torn Beirut and the 27 years he spent alongside Palestinians as a member of the Japanese Red Army. Michel and Lili’s destiny seems subject to the mystery that this man, the legendary screenwriter of the Japanese New Wave, Masao Adachi, has created for them, and which he punctuates with a series of revelations.