Despite its suggestive title, this multi-part Danish omnibus film is not a work of exploitation. Instead, it presents 20 different short films (back-to-back) on the general theme of Danish women, directed by filmmakers including Krzysztof Zanussi, Monika Treut, Gustav Hamos, David Blair, Vibeke Vogel, Dusan Makavejev, Morten Skallerud and Lars Norgaard. Some dramatic vignettes mix with other comedic ones, but all are offbeat and experimental. The picture includes one animated sequence (by Norgaard).

The Messenger is the story of Jack’s last melt down: a story of frustration and guilt, love and betrayal, family and blame. Unwillingly becoming embroiled in the unfinished business of Mark, a journalist brutally murdered in the local park and his television presenter wife, Sarah, to whom he’s desperate to say one last goodbye, Jack finds himself getting closer to Sarah, obsessed with passing on Mark’s message. Discovering hidden secrets and lies finally pushes the fragile Jack over the edge but there is hope when his estranged sister, Emma, gets in touch. Jack starts to remember the past they shared together and as the memories come flooding back, he confronts the truth about the death of his father.

Three filmmakers receive an unsettling postcard from an estranged friend living in a secluded commune. The filmmakers take their cameras into the wilderness of Montana to document the mysterious inner workings of the group. On their disconcerting road to self-sufficiency, witnessing something more shocking than they ever imagined.

Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.

When 17-year-old Johnjo gives his cousin and his friends a lift, he finds himself implicated in a stabbing.

A salesman starts to run a hospital radio station inside a facility for people with mental heath needs.