In the seedy part of Los Angeles, a man who writes poetry has spent six months without leaving his apartment because of his paranoid delusions involving sadistic doctors, rappers, and spiders. A woman who seems to jinx things by wanting to help is dumped by her boyfriend and finds herself penniless on the streets, and soon runs afoul of a local gang. Due to a telephone glitch, the man calls her at a phone booth trying to dial a "talk line" and invites her to his place. There they must help each other to overcome their respective problems.

An L.A. cop tracks down a seemingly mystic murderer on an Indian reservation.

Joseph Rouletabille, a reporter for a local newspaper, investigates the attempted killing of Mathilde Stangerson, who uses the yellow room of the title as her bedroom. At the time of the revolver shots her room was locked and the windows were barred, but when her father enters after having forced the door, there is no-one there except for Mathilde. So who did it and how did he get away?

After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.

Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.

頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語......
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