Filmed in front of a live audience on tour in Australia, Dylan Moran’s DR COSMOS offers his unique take on love, politics, misery and the everyday absurdities of life, all served with his trademark poetical panache. Dylan Moran has been called the Oscar Wilde of comedy and his famed style - deadpan, witty and with crackpot lyricism – makes for an unmissable journey through his interpretations of the world, swerving cliché to offer a cutting blow to our idiosyncrasies.

television miniseries

British sitcom

It is based on a relationship between Dan and Carla with an age gap who are at a cross-roads. Dan has been made redundant, When Carla's ex-girlfriend Maya re-appears, things start to get even more tricky.

The rebirth of Amnesty International's legendary SECRET POLICEMAN'S BALL at the Royal Albert Hall on 14th October - after a 15 year hiatus - was a resounding success. Bigger, Better and Ballsier than ever before, 'The Ball In The Hall' is a non-stop, rapid-fire, relentless smorgasbord of comedy and music.
6,000 people turned up to create a fantastic atmosphere as some of the best contemporary comic and music talent from both sides of the Atlantic delivered one show-stopping performance after another. Featuring never-before-seen collaborations, brand new sketches, explosive stand-up, off-stage performances, surprise ingredients and an anthem for the world, there has been nothing like it in the comedy world for years.
Starring: Al Murray, Andrew Maxwell, Chevy Chase, Dylan Moran, Eddie Izzard, Graham Norton, Green Wing, Jeremy Irons, Jessica Stevenson, Jimmy Fallon, Jon Culshaw, Natalie Imbruglia, Omid Djalili, Richard E Grant, Ronnie Ancona, Russell Brand, Sarah Silverman, Seth Green, The Magic Numbers, The Mighty Boosh, The Zutons - and many more.
(DVD) Extras include abundant footage not seen on TV, exclusive animations, classic sketches from previous SECRET POLICEMAN'S BALLS, celebrity photo gallery, Amnesty Extras and introducing The Protect The Human Players.
from:

Series of short comedy-dramas with a Christmas theme, written by famous names recalling moments from their childhoods.
3.01 Joanna Lumley's Little Cracker: Baby, Be Blonde
3.02 Rebecca Front's Little Cracker: Rainy Days & Mondays
3.03 Tommy Tiernan's Little Cracker: Howler
3.04 Caroline Quentin's Little Cracker: Nutcracker
3.05 Alison Steadman's Little Cracker: The Autograph
3.06 Dylan Moran's Little Cracker: The Awkward Age
3.07 Jason Manford's Little Cracker: A Tender Christmas
3.08 Omid Djalili's Little Cracker: The Ten Year Plan - Fringe To Hollywood
3.09 Paul O'Grady's Little Cracker: Boo! A Ghost Story
3.10 Katy Brand's Little Cracker: Of All The Trees
3.11 Sharon Horgan's Little Cracker: The Week Before Christmas
3.12 Darren Boyd's Little Cracker: Le Concert de L'école

Amnesty International (Ireland) presents "Stop! You're Killing Me" which features the very best of Irish comedy performed in support of Human Rights. Recorded live at Dublin's Vicar Street Comedy Club in November 2004, the stellar line up of Irish comedians includes acts from Tommy Tiernan (Supertramp), Dylan Moran (Black Books), Ardal O'Hanlon (Father Ted), Dara O'Briain (The Live Floor Show) and performances from other well known Irish comedians such as Eddie Bannon, Des Bishop, Jason Byrne and Mark Geary.

To avenge her mother's death, Pixie masterminds a heist but must flee across Ireland from gangsters, take on the patriarchy, and choose her own destiny.

Dylan Moran, star of Black Books, Shaun Of The Dead and Run Fat Boy Run is a master comedian renowned for his eloquent yet razor-sharp, unrelenting wit. Aim Low: The Best Of Dylan Moran compiles 100 minutes of hilarious, classic moments across Dylan's three acclaimed live DVD's (Monster / Like, Totally / What It Is). It's downright brilliant: brimming with searing observations and grumbling invective on subjects such as aging, religion, kids, relationships and the general absurdities of life. All delivered with Dylan's renowned, shambling, curmudgeonly charm. Unmissable.
‘‘One of the brightest, most original comedians in the land’ The Times

欧麦雷（迈克尔·凯恩 Michael Caine 饰）和汤姆（迪兰·莫兰 Dylan Moran 饰）是两名喜剧演员，可惜时运不济，时至今日，他们依然默默无闻。可是，这两兄弟的心中却怀有着十分伟大的理想，那就是一夜暴富，成为百万富翁。为了实现这一理想，他们会做出怎样的努力呢？
天资聪慧的欧麦雷冥思苦想，设了一个看似天衣无缝的计谋，利用他和汤姆的表演天赋，成功的从当地一个黑帮组织手中骗取了巨额财产，因此，他们毫无疑问地成为了黑帮暗杀名单上的首当其冲。为了保命，欧麦雷和汤姆踏上了逃亡的旅途，他们不得不不断地改头换面，乔装打扮，将生活上演成为了一出绝妙的喜剧。

In Ireland they say it takes just three alcoholics to keep a small bar running in a country town. But what if you've only got two?

Newlyweds Ian and Lisa move from bustling London to the countryside where Lisa grew up. Although initially Lisa is delighted to be home and around her family, Ian struggles to fit into the community and gain the acceptance of Lisa's family.

A local woman is hired to draw paparazzi away from a Hollywood actress who has come to Scotland to get married.

Dylan Moran live at Sydney's State Theatre 15th May 2009

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

No music reviewer would make a career writing about pianists solely from repeated performances of a single concerto, nor any pianist out of playing just the one piece. Yet sometimes writing about stand-up comedians can feel worryingly like this. They all hit more or less the same notes: London... young people... children and parenthood... today's dreadful music... religion... growing up in Ireland (obviously not every comic includes this movement, though sometimes it feels like it)... finishing off with differences between men and women, usually with reference to naughty bits and/or naughty business. The difference lies in the phrasing, the flourishes, the individual expression brought to the work by the performer.
Dylan Moran, appearing for seven nights at the West End's Palace Theatre while it spends the summer between blockbuster musicals, plays the standard concerto. It's in the phrasing that his skill resides. His slurred, bellowing delivery and shambling, half-cut persona (although in almost two hours he put away perhaps a third of a glass of white wine) are no longer as novel as they once were, but they belie a greater than average discipline in his material.
Moran certainly has a gift for the surreal image and the unexpected adjective, but his spontaneous flights of fancy are brief and a little diffident. He prefers to hone his phrases and seems to script them quite tightly; like a snooker player, he can control exactly the angle at which the ball will come off the back cushion. At times he simply sounds like an early-middle-aged grouch, berating young people for "texting each other because they've given up on speech", but when he stretches out and lets fly with his magnificent vocabulary, he's in a different league. He can use a near-nonsense word like "quadrangulate" meaningfully, or wonder about Ann Widdecombe's voice, "How do you get that many fingernails on one blackboard?" Sometimes the word-images work through bizarreness, sometimes they're simply there to add colour or emphasis in unexpected ways: a granny mentioned in passing is so much less prosaic when she's an emphysemic granny. And the mere phrase "fellating a Smurf" is as euphonious as the image it evokes is disconcerting.
Moran's growing film and TV career are vying with his live work for supremacy now, and indeed he's slightly less appealing a performer on stage than one might expect. But the words, oh, the words...!
Written for the Financial Times.

Dylan Moran, star of Black Books, Shaun of the Dead and Run Fat Boy Run is about to spread a little happiness with a brand new live DVD for 2011. Ageing, religion, kids and relationships intertwine with the general absurdities of life. Searing observations and sumptuous imagery, painted across a large fraying canvas with cruel, curmudgeonly 'Moranesque' brush strokes are all delivered with Dylan's renowned, shambolic charm…
Simply unmissable.
"It didn’t falter for a moment. This is stand-up comedy of the first order... scarcely a word wasted... seriously good fun" The Times

Filmed in front of a live audience on tour in Australia, Dylan Moran’s DR COSMOS offers his unique take on love, politics, misery and the everyday absurdities of life, all served with his trademark poetical panache. Dylan Moran has been called the Oscar Wilde of comedy and his famed style – deadpan, witty and with crackpot lyricism – makes for an unmissable journey through his interpretations of the world, swerving cliché to offer a cutting blow to our idiosyncrasies.

After being threatened during a confession, a good-natured priest must battle the dark forces closing in around him.