A crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross.

A man witnesses a suicide and starts imagining that it was a murder committed by himself.

A master thief, just out of prison, concocts a risky final score that would net him over a million dollars.

Nicolas Mallet, an inconspicuous and shy bank employee, one day successfully invites Marie-Paul, a young woman he hadn’t known before, in the streets of Paris to a café and sleeps with her the next day. When he tells his surprised friend Claude about the incident, the disillusioned and handicapped writer starts to guide him, leading Nicolas on a dazzling social ascent.

This erotic sexploitation feature concerns a couple and their pursuit of sexual fulfillment with each other -- and their mutually agreed upon third bed guests. Lesbian love angles includes the woman's step-daughter. Alberto (Jean Sorel) is soon left alone when the women decides his services are no longer required. After acting on his erotic fantasies, he is left alone and driven to madness when his girlfriend marries another after leaving with her lesbian lover. ~ Dan Pavlides, All Movie Guide

People in a small German village in the last valley to remain untouched by the devastating Thirty Years' War try to exist in peace with a group of soldiers occupying the valley.

Italian television drama series about the Mafia (1984-2001)

Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10.

This thin French drama takes place on a barren prison island. Pierre (Omar Sharif) has been sentenced to a life of hard labor on an island which lacks even a proper prison building: the men live in tents year 'round. Despite the grim conditions and brutal guards, he manages to hold his temper in check. His wife (Florinda Bolkan) campaigns for the right to visit him and finally succeeds. His inner discipline disturbed by her visit, Pierre reacts almost normally to abuse from a guard, and tragedy follows.

Florinda Bolkan plays the daughter of a prominant English politician who keeps having recurring "nightmares" in which she makes love to a bisexual nympho who lives downstairs and conducts all-night LSD orgies. When the nocturnal wet dreams become murderous, the neighbor turns up dead, and Florinda is the main suspect. Did she actually commit the murder she dreamt about? Is she being framed by her philandering husband? Did Florinda actually make nightly visits downstairs aside from borrowing the occasional cup of sugar? How DID Florinda's letter opener end up stuck in the dead neighbor's chest anyway? The complex plot unfolds amidst red herrings, outlandish dream sequences, lesbian hanky panky, and ominous close-ups of Florinda Bolkan's guilt-ridden facial expressions every time someone mentions the murder. All this takes place in swinging late-1960's London.

A Venetian musician at La Fenice theatre is affected by an incurable disease. By chance he meets his ex-wife who is now living with another man. She finally realizes that she is still in love with him.One of the most romantic films ever made and that still bears the pass of time despite some camera cliches of the 70's. Venice at its best is the setting for a poignant story of lovers parting for ever in a day's time. Sensitive and powerfully emotional, but never corny, with Musante and Bolkan as passional as you may wish lovers can be. A wonderful soundtrack and a beautiful cinematography help to make this film be a delight thirty-two years after it was made. Not to be missed.