A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

A look at the life of Jorge Mario Bergoglio, form his early childhood days in Argentina to his becoming Pope Francis.

Love of great literature is one of the outstanding features of South American culture. This Argentine drama, mixes imagination and "reality" and includes a film-within-a-film story about making a film about Kafka. The writer Franz Kafka (1883-1924) was born to a German Jewish family in Czechoslovakia. In an uncanny way which prefigured the Holocaust, Kafka wrote about absurd, terrifying situations taking place in a nihilistic universe in which almost everyone can be considered a victim. The movie explores his romantic and intellectual life before he died at age 41 of tuberculosis. Sigmund Freud, whom Kafka never actually met, makes an appearance in the story. The film-within-a-film has an Argentine movie director travel to Prague to try and produce a film there about Kafka's loves, only to discover that the studio there is busy filming Amadeus. Though these elements are confusing to read about, some reviewers felt that the director somehow made a coherent and enjoyable film out of them.

雅娜原本是生长在波兰的纯樸乡村，因近来雅娜一家人赖以为生的鹅毛卖得不好，全家大小无以为生。某一天，平静的小镇来了一位开着轿车、衣着光鲜的外地人—美心先生，他的到来为雅娜的未来蒙上阴影。美心先生看上年幼纯真的雅娜，想娶她为妻，原本大家以为雅娜找到好人家，从此可以脱离贫困的日子，谁知道美心先生心存不轨，带着蒙蒙懂懂的雅娜来到阿根廷，过着出卖灵肉的生活。雅娜虽然贵为夫人，并为美心生了一个儿子，但仍以妓女的身份赚钱过日子，渐渐的爱上恩客—雷蒙，一个才貌兼具的音乐家，动了真情的雅娜想摆脱美心的控制和雷蒙双宿双飞，势力强大的美心会放了自己一手栽培的“摇钱树”吗？历尽沧桑的雅娜这次会找到真爱吗

1984 Argentine drama film directed by María Luisa Bemberg