Eva and Metodi are young, rich and successful. He wants to have children, but she fears pregnancy. One day Eva drives to the village her family came from. There she arranges for a relative with intellectual disability to move in with them. She has a plan.
Danche and Caramba live in a crumbling house below Eva’s and Metodi’s luxury high rise. They are late middle-aged and feeling left behind. Every day Caramba comes home with fresh kaymak – soft cream cheese. Danche does not suspect that Caramba has fallen for the cheese monger at the green market until she finds them having sex in her marital bed.
The quiet rebellion of ordinary women and men against roles imposed on them by society makes them heroes of a story where everybody is both a victim and a perpetrator. Underneath its lighthearted exploration of the eternal search for love and happiness, Kaymak tackles more complex social issues – human trafficking, surrogacy, infidelity and sexual liberation.

A successful young doctor with a beautiful wife, a happy child, and a comfortable house finds his life suddenly changed in ways he never thought possible after being injured in a serious car accident. To the outside eye Lazar Perkov has everything -- indeed his friends and colleagues have even gone so far as to christen him with the nickname "Lucky." But appearances can sometimes be...

十七世紀，不孕的農家女與丈夫為了懷孕而求助神祕老嫗，允諾讓贈第一個孩子。然而孩子出生後，伴隨新生喜悅而來的，還有深深的懊悔，不想遵守承諾的他們，從此陷入鬼魅糾纏的陰影；二十一世紀，一場車禍讓布蘭柯遇見羅多娜，愛情為貧賤生活增添甜美滋味，卻無法抵禦受孕的心力交瘁，當雙胞胎之一被診斷異常時，拿掉與留下都是撕裂；不孕的凱特琳娜收養五歲男孩，但孩子不說話，穿不透的眼神與奔向死亡的行徑都讓人恐懼，如果你的孩子不是你生的孩子，是否還能跨越隔閡成為母子？
睽違多年，米丘曼契夫斯基再度重返馬其頓拍片，以三段從中世紀到現代的故事，訴說母性與生命的喜悅哀慟。精巧的劇作結構，讓角色心境與故事主題時而跨越疊合、時而映襯對照，命運與抉擇彼此緊密相扣、層層堆疊，終至爆發撕心裂肺的傷痛與和解。影片除了一展馬其頓文化的神祕內斂性格，絕美影像在自然風格中帶出視覺對比，輕觸魔幻寫實氣息。

比基尼·穆恩·戴维斯是一个有魅力的女人，但是她的精神状态不太稳定。她声称自己曾在伊拉克战争中开过叉车，还曾学过木匠手艺。一个纪录片制片人凯特·斯凯勒注意到了她，并劝说纪录片导演，一起帮助比基尼重新振作起来。最终， 他们越过了纪录片拍摄者与拍摄对象之间的道德界限，邀请比基尼到清静的郊区与他们同住。但是他们依然无法理解神志不清又倔强的比基尼......

两名九岁女孩向警方报案说遇到了暴露狂，但其实她们并未见到。三位电影人士在一个荒废的村庄里遇到仅有的两位居民，他们是兄妹，16年中却从未和彼此说过话。退休的清洁女工在一个小镇被强奸和勒死。撰写谋杀案的记者被捕……虚构的故事慢慢变成纪录片。通过母亲们的群像、奉献、忽视、爱、缺席、谋杀、怪异等等，曼彻夫斯基表现出人类或悲或喜的不同面孔。《母亲们》用创新的结构点明了真相与虚构、戏剧与纪录片的微妙关系，成为对真理性质的冥想。

《尘埃》是《暴雨将至》导演曼契夫斯机的2001年度新作，由两段不同时空的故事交织而成，其一是十九世纪的一对牛仔兄弟，兄弟情场鬩墙的结果，失败的哥哥流浪到欧洲，在一场争战之后，垂危的哥哥又遇上了另一名女子。另一条故事现则发生在现代纽约，老妇人在病床边跟一名抢匪叙述一则百年前牛仔流浪欧洲的传奇故事。

1994 film by Milcho Manchevski