Richard Dawson — Actor (5)
Hogan's Heroes (1965) [TV] TMDB WikiData IMDb
Hogan's Heroes
other title: Ein Käfig voller Helden / Papa Schultz
Hogan's Heroes is an American television sitcom that ran for 168 episodes from September 17, 1965, to July 4, 1971, on the CBS network. The show was set in a German prisoner of war camp during World War II. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz.

The series was popular during its six-season run. In 2013, creators Bernard Fein through his estate and Albert S. Ruddy acquired the sequel and other separate rights to Hogan's Heroes from Mark Cuban through arbitration and a movie based on the show has been planned.
The Longest Day (1962) [Movie] Min reol
The Longest Day
director: Ken Annakin / Bernhard Wicki actor: Henry Fonda / John Wayne
other title: Le Jour le plus long / Der längste Tag
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
The Devil's Brigade (1968) [Movie] Douban
The Devil's Brigade
director: 安德鲁·麦克拉格伦 actor: 威廉·霍尔登 / 克里夫·罗伯逊
other title: 魔鬼旅 / 无敌雄师(港)
这支特种部队在二战历史上只是昙花一现,虽然绽放只在刹那,却是那么鲜艳。其深远意义直接影响到战后美军特种部队的发展。岁月流淌,当人们乐此不疲地去揭秘一支支二战特种部队时,却鲜有人将沉睡的“魔鬼”从厚重的 历史中唤醒……
二战后期,美国陆军上校费雷德里克组建了一支美国与加拿大联合作战旅。这支部队并非人们容易想到的是一支军方部队,而是一支敌后游击部队。
The Gentleman Tramp (1976) [Movie] Douban
The Gentleman Tramp
director: Richard Patterson actor: 威廉姆·巴克利 / 查理·卓别林
other title: 绅士流浪汉 / 逍遥骑士
卓别林是当之无愧的电影大师!
电影是1975年完成,两年后卓别林就去世了。卓别林不仅仅是那个著名的喜剧演员、塑造了那个著名的流浪汉,而且他在很多方面彻底的改变了电影。
卓别林的出现伴随着20年代默片黄金时代,在那时形成了美国电影中最早的一种类型片——喜剧片。而卓别林的喜 剧形象不同于以往出现的“丑角”。丑角来源于古代国王身边的小丑,他们负责取悦国王,仅仅是取悦。而且卓别林的喜剧形象不仅仅有取悦、逗乐的成分,还承担了对社会的思索和批判。这也是为什么后来他在美国受到各种各样的指责,以致不得不远走欧洲。但最后在1972年,奥斯卡无法不面对卓别林的伟大成就,而为他颁发终身成就奖。评语称:他为世界电影作出了无法估量的伟大贡献……
卓别林塑造了著名的“夏尔洛”,那个礼帽、拐棍、西装、鸭子步的形象。正是这种抽象的造型表现,形成了他自己的电影美学体系。相比于他松散的剧情设计,他更强调表演。于是卓别林的电影的重点是造型的艺术,那塑造那个样子才是电影的核心。这甚至影响到20年代兴起的欧洲先锋电影运动。达达主义、抽象主义、表现主义、超现实主义都在这场运动中兴起。法国先锋派最先接受了这种“造型”艺术的表现力。他们评论:“夏尔洛”无疑是“纯电影”的上帝。