While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.

Shy corporate employee Jorge Rizzi's life takes an uproarious turn when he participates in a hypnosis session that rips off his inhibitions and releases a hilarious alter ego.

2020 Argentine television series

The film tells the story of Martha Hoffman, an eccentric and wealthy patron who is committed to a psychiatric clinic by her daughters. The expert witness Casares investigates whether this is a scheme to control their mother’s fortune or if Martha truly suffers from a form of dementia that endangers her well-being and that of her family.

The film tells the story of Martha Hoffman, an eccentric and wealthy patron who is committed to a psychiatric clinic by her daughters. The expert witness Casares investigates whether this is a scheme to control their mother’s fortune or if Martha truly suffers from a form of dementia that endangers her well-being and that of her family.

2023 film directed by María Alché and Benjamín Naishtat

television series

2017 Argentinian television series

After years away Ariel returns to Buenos Aires seeking to reconnect with his father who has founded a charity foundation in Once, the city’s Jewish district where Ariel spent his youth. But Usher appears to be staving off a meeting with his son; instead he keeps roping him into a number of small assignments during the course of which Ariel meets Eva who volunteers for Usher’s charity. Like Ariel, she too feels estranged from her father, and no longer speaks. Together they look back at the past in order to shape the present. Eva’s radiant inner strength and independent spirit inspires Ariel to come to grips with the religious customs of his Jewish community as well as the traditions that once divided him and his father and rethink his own identity. After El abrazo partido (in Competition in 2004) und Derecho de familia (in Panorama in 2006), Daniel Burman once more explores the interplay of forces within a father-son relationship. Tenderly, and with a lightness of touch, he has Ariel let go of his old expectations and allow himself to be drawn into the centre of a vibrant and fascinating community. berlinale 2016

故事以Franklin和Irene York这对爱人为中心，他们多年前发现了一个掩埋在自家后院下的舱体/密室，通过它可以去往一个陌生荒芜的星球。从此他们便小心守护着这个秘密，但当一个神秘的年轻男子进入他们的生活后，York一家平静的生活迅速被搅乱了，而他们自以为十分了解的神秘舱体/密室，比想象中要复杂得多。

The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.