深度探访马丁·斯科塞斯丰富多彩的人生，包含他的私人档案，以及与亲友、传奇合作伙伴和这位具有远见的电影大师本人的深度对谈。

The husband-and-wife team of Charles and Ray Eames were America's most influential and important industrial designers. Admired for their creations and fascinating as individuals, they have risen to iconic status in American culture. Eames: The Architect and the Painter draws from a treasure trove of archival material, as well as new interviews with friends, colleague, and experts to capture the personal story of Charles and Ray while placing them firmly in the context of their fascinating times.

This documentary, made for PBS' American Masters series, explores the life and career of the renowned screenwriter and director Preston Sturges (1898-1959), whose few but very influential films managed to change the entire film industry. The documentary features clips from his films, and interviews with those who knew him well, including ex-wives. He was the first screenwriter to make the move to become a film director. He is best known for his unerringly light touch in dealing humorously with difficult topics, and directed one of the first widely successful spoofs of Hollywood, The Great McGinty. The director had a life as eventful and fraught with coincidences as anything in the movies, and this is recounted also. ~ Clarke Fountain, All Movie Guide

[出租车司机]编剧保罗·施拉德、[星之彩]导演理查德·斯坦利、吉尔莫·德尔·托罗、特效化妆师汤姆·萨维尼、《人类清除计划》导演吉吉·索尔·格雷罗、演员迈克尔·比恩等人讲述电影幕后。寻找投资之难，成为了想拍电影的导演的困难之处，但他们为了成为真正的电影导演竭尽所能，他们在电影产业中挣扎、坚持，试图脱颖而出。

Shane Black (Lethal Weapon), John Carpenter (Halloween), Frank Darabont (The Shawshank Redemption), William Goldman (Butch Cassidy and the Sundance Kid), Paul Schrader (Taxi Driver), and dozens of other Hollywood screenwriters share penetrating insights and hilarious anecdotes in Peter Hanson's Tales from the Script, the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Morgan Freeman, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

A Dutch documentary about legendary French filmmaker Robert Bresson.

A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.